Showing posts with label Bob Sturm. Show all posts
Showing posts with label Bob Sturm. Show all posts

Wednesday, April 8, 2020

Just a Quick Refresh


Got nothing much on my mind.

I've had a big change in my work which, alas, means a lot less Ticket listening.  I'm hoping that will change soon, but for now I've missed a lot of shows I used to listen to frequently.  Let's hope I can continue to make this site worthwhile.  For now, I'm not planning on ending it.

Yesterday, I was able to hear a lot of 12-3.  I was impressed.  I know this may be a minority position, but I thought the show sounded really good.  Dan seems to have gotten a lot more comfortable with the new arrangement, and I liked listening to both him and Jake.

A lot of you have not liked 3-7 for the same reasons you didn't like the Mike R Hardline -- too much Corby, too much annoying virtue-signalling political talk from him and Danny.   Before my schedule got in the way, I had the opposite impression.  I liked the new arrangement much better and I thought Corby and Danny both were more focused, more mature-sounding.  After some initial uncertainty, Bob stepped up and provided the balance that show had lacked for some time.  I have not been able to listen to much of that show since sports came to an end, but I can see how those improvements could wither with the lack of any sports to talk about.

Anyone out there actually liking the "new" Hardline?  I'm going to make a special effort to tune in here in the next few days.

By the way:  No excuse for not finding new names for these two shows.  Maybe we should give Cat a hand and suggest some.

tumblr_p765r6SjM81wc9vqco1_1280.jpg (419×900) | Beautiful redhead ...

Wednesday, April 1, 2020

VJ Boyd Is At It Again


I'm sure someone else has noticed this already, since I'm usually late to pop culture stuff, but:

Remember how writer-producer VJ Boyd slipped a number of Ticket references into the series "Justified"?

He's back with a new show, "Lincoln Rhyme," based on Jeffrey Deaver's "The Bone Collector."

During the pilot episode I was watching with Mrs. Plainsman, I startled her when I bolted upright:

The villain who kidnaps the heroine's sister is named "Robert Sturm."

Checked the intellectual property brains behind the show -- yup, there he was, VJ Boyd.

Not sure I'll keep up with the show, so let us know if you hear any others.

I think "The Plainsman" would be a good villain name.

Now go wash your hands.

❤️Hot Red❤️ | Beautiful eyes, Beautiful redhead, Redheads
Not Robert Sturm
 ThePlainsman1310@gmail.com
@Plainsman1310


Wednesday, March 4, 2020

Anonymous 415 Nails It (That Is, He Agrees with Me)


I was getting set to do an article on some early observations on 12-3 and 3-7, when ConfessorAnonymous 415 posted yesterday to the previous article (lightly edited by MTC):

So far I'm mostly liking the changes. I will admit that I'm partial to 3-7 over 12-3. For me to say that is incredible since I haven't been able to listen to 3-7 for over 5 minutes at a sitting for years now. 

I said mostly liking due to being less and less sold on Super BaD. I'm beginning to see chinks in Jake's armor. I'm beginning to see that while deserving and in a fundamental way ready for prime time, he's not a finished product by any stretch of the imagination. 

I also think Dan needs to dial it back a notch or four. To me it's obvious he's trying to make sure everyone (CTO) know that he still has his youthful fastball. At times it makes for uncomfortable radio. And this isn't Stern so this isn't a good thing. 

As to 3-7, the more Bob asserts himself and the scarcer Danny makes his presence known the better this thing gets. Danny's good for a segment and has nice add-ins throughout the show. Bob's getting more comfortable with each passing show and as a result is SOMEWHAT putting a matte finish on Corby's Corbyness. Good stuff. 

I think 12-3 is going to take a lot of time, experimenting, and even off-air discussions between Dan and Jake and/or Cat interventions to find its sweet spot.

*     *     *
These observations mirror my own to a large degree.

Dan and Jake:  In general, I think this show is good, better than recent Bob and Dan.  I do think Jake has settled in very well -- it's Dan who seems to be thrashing about a bit.  He's clearly the boss of the show, which is fine.  But not having been the boss of the show for all those decades, he's having some trouble figuring out how he should be pitching his presentation.  "Dial it back a notch or four," says Anonymous, and that puts it pretty well.  He seems to be pressing.  It's not that he hogs the show -- that's neither fair nor entirely accurate -- it's that his role as the sarcastic gadfly hovering around the stentorian Bob doesn't sound quite right without Bob there to puncture.  He's a naturally intelligent guy -- he should just relax and broadcast instead of constantly setting up his next sarcastic observation, looking for angles for jokes, a process that (you guessed it) bogs down the show.  I have pretty much no complaints about Jake, except to say I'd like to hear a little more from him.

Corby and Bob:  After an uncertain couple of weeks, this show has taken off.  I listened quite a bit over the past few days, and I thought it was an enormous improvement over legacy Hardline.  Bob is so much more comfortable, so much so that he is really remaking the show.  Corby is proving to be a solid equal partner, and he has dialed back the Corbosity.  Danny has done a good job of picking his spots.  A very enjoyable listen.

*     *     *

And, by the way:  Are you catching The Ticket's promos once again saying they're the number one sports talk station?  I don't have details, but I believe the latest book shows overall victory over The Fan.  But no one's making much noise about this; The Eagle beat 'em both in the demo, did it not?  (I'm not a ratings maven).

Image result for gorgeous redheads

Monday, January 27, 2020

Duelling Insiders


I like it when Confessors have inside information and share it with us.  Or claim to have it.  Truth to tell, persons claiming special knowledge in this space do not have a great record.  Many years ago I heard from a Ticket person who said that he got his laugh for the day every time he would see in social media someone claiming to have inside information.  But I'd love to have a reliable pipeline, even if anonymous.

In the last thread, we had one confessor saying that Bob Sturm was going to move to The Hardline.

More recently, another said that a Muser, tired of the early mornings, was going to move to PM Drive.

Either would be fine with me.  Even if Jake ended up being a Muser, I'd absolutely listen to an AM show with a George/Jake/Gordon lineup.  I think the sparks would soon fly between Jake and Gordon -- Gordon isn't always  .  .  .  welcoming to other funny people on the show, and Jake has done some fantastic bits filling in when Gordon's gone.  But that would be a good Muser lineup for me.  And would love to hear Craig on PM drive, when I can hear a bigger chunk of the show most days.

Ditto with a Jake and Dan show.

But I think those scenarios are not likely.  One show was blown up by Mike's departure.  I do not see the CTO blowing up another historically successful show.

Unless  .  .  .  contract time is coming up for the likes of Craig, and he has the leverage of his own retirement.  But wait -- didn't the Musers all just re-up a month or so back?

So my money is on Jake to The Hardline.  Transforms a stale show with a jolt of energy that "the kids" who, we hear, are deserting The Ticket, find lacking in the aging hosts.

The real controversy Cat will have to deal with is:  Who will replace Jake as BaD producer?  My money would be on either Justin Montemayor or David Mino.  I'm a fan of Justin's "radio sound" and attitude, but David has sharpened up his act on Work in Progress.  There are some other JV guys, Ticker and board op guys, who will probably toss their chapeaux in the ring.

Good luck to all.  The Ticket is in for a wild social media ride.  Stay tuned to My Ticket Confession, Your Source for Quality Ticket Journalism.

Image result for la laker cheerleaders pictures
No disrespect:  Kobe Bryant, RIP.






Thursday, October 17, 2019

A Hearty Congratulations to BaD Radio


I had hoped to get something more substantial up for this notable accomplishment, but  .  .  .  failed.

Congratulations to Bob Sturm and Dan McDowell on their 5,000th show.

I was able to catch some of this today.  Was a kick to hear Gribble, that Nice Young Michael Gruber, and T.C. Fleming again.

On the one hand, the show's obsessive self-chronicling (do they have every show on tape?) is a little self-absorbed.  But forget that hand -- I'm really glad they take the show seriously and archive their stuff, keep track of show numbers, all the rest.  Keep it up, lads.   Whatever one may think of the show, it can't be denied that their show preparation is tops at The Ticket -- yes, topping even the Sainted Musers.

That shows respect to the listeners.

And we shouldn't forget that they turned down an opportunity for (it is said) more money to move to another station not so very long ago.  There's some love there.

I do worry that Bob will take his Large Sports Brain to more lucrative fields full-time (TV, behind the scenes with a network, play-by-play, sports journalism, books), so let's enjoy the team while we can.

A question for wayback P1s:  Don't The Hardline and The Musers each have more shows in the bag -- maybe not at their current time slots, but at least identifiably as the shows they still are -- than BaD?  I don't want to detract from the 5,000-show milestone, but, in the words of an immortal BaD staffer -- am I wrong here, guys?

Again, best wishes and for many more shows to come.

 

Thursday, March 28, 2019

Two Medium Hits and Four Quick Hits


No, this is not the STD.  It's still baking.


(1)

I heard the Jake/Dan/Bob/Julie from a week or so back on Work in Progress last Sunday.

It had an odd quality.  Very disjointed.  No one knew quite what was going on or knew quite what to say, so there was a lot of interrupting.  No one seemed all that angry.  Everyone seemed childish.

It got started in a strange way.  I thought the throw-in of the Country Music Saturday reference (by Bob, I think) in the middle of whatever else Jake was talking about -- it was a Jake segment -- was gratuitous and I didn't get what it had to do with what Jake was saying.  I don't think Jake did either, and that's why he got up on his hind legs, upset that one of the hosts had to reach for a doesn't-follow reference to bust his balls.  It sounded like they were spoiling for some kind of fracas with Jake.

I don't think this is the beginning of the end of anything -- does BaD sound appreciably different since then?  no -- but I do think it pulls back the curtain a bit as to who is getting on whose nerves in this cast.  We know Dan is somewhat thin-skinned.  Bob can be, too.  Jake, generally, is not.  He fights back when challenged, but he doesn't usually sound like he's taking it personally.  This sounded different, and it made me wonder if maybe there's some simmering jealousy there, some off-mic slights that have been building up to this.   Bob and Dan toiling for years in what they probably consider The Ticket backwater, sacrificing a good offer from CBS to stick with The Ticket. Jake the very talented and smart upstart, all over the station, talked up as a guy who may be needing his own show before too long.   Dan has a history of belittling underlings but it's tough to bully Jake.  The whole thing had a flavor of remember-you're-still-only-a-producer-just-like-Gribble to it.

I don't have any predictions.  I don't expect a series of similar jousts.  But it won't surprise me if Jake finds something else to do in DFW media if there are no host openings on any of the shows in the next year or so.  And none are anticipated. 



(2)

I've always liked Work in Progress, the Sunday ayem extravaganza.  Everything except the title, which makes even less sense now that it's an established weekend joint
What I want to mark today is the ascension of David Mino.

When WiP began, it was pretty much the Justin Montemayor Show, with Mino alongside.  Nothing in the world wrong with that.  Justin is a favorite of mine and I was glad he had his own show.  Didn't have a problem with Mino, either, but he was pretty green.  Had trouble getting out of his own way, lots of self-deprecating remarks about his inexperience, some uncertain starts to his segments, etc.  But Justin kept the show going and it was cool just the way it was.

But someone -- face it, it was the New World Catman -- had patience and let the show, and David, find their path.

And they did.  I listened last Sunday and was struck at David's polish.  I've been listening, but his improvement has kind of snuck up on me.  Dare I say it?  He led that particular show.  Seemed to helm most of the segments, was well-prepared.  Justin was even back on his heels once or twice, board had to dump the guy.  In fact, the show has a great balance now and it's a lot of fun.  More fun now that Justin doesn't have to carry the load.

Well done, Justin, David, and Cat.



(3)

Those Juul stop-smoking-device ads.  Not the worst we're-trying-to-make-something-utterly-scripted-sound-unscripted ads, but pretty comical nonetheless.  ("I thought  .  .  . OK, I'll try it.")   What was that one that aired a few years ago that tried the same schtick? 

(4)

I'm not anti-Christian -- raised in a church, was an officer at a major Protestant church, not so active now -- but I do wonder about some of those Good Contractor's List ads.  The ones that are frankly evangelical, the message overtly religious and really with very little to do with the GCL.  I don't find them offensive, but they're just the littlest bit creepy. 

Here's what occurs to me:  How would we feel if a Muslim business proselytized in Ticket ads in this fashion?  Hindu?  Druid?

(PS:  Out on the Plains, I sometimes deal with self-professed "Christian businessmen."  YHWH save me, I'd rather negotiate with Michael Avenatti's less ethical cousin than some of these guys.)


(5)

Someone in a comment a post or two back said they didn't care for those Sharon Moore good-citizenship City Credit Union ads.  I think they're OK, she sounds like a nice lady, the good deeds sound sincere.

Here's the thing.  Listening to these things for months on end, I formed a mental picture of her.  Maybe mid-forties, early fifties.  Blond.  Hair parted in the middle, straight, mid-length,  framing her face.  Pleasant face, quite attractive but not glamorous.   No Kelly "The Bulldog" McClure, she.

Looked her up:

(6)

God, do I get sad listening to those Tight Ends ads.  Poor Savannah.  Poor all of those girls.  Although  .  .  .  woman's gotta work, the tips can probably get them through the week, pay the rent, get some pot pies on the table for the kiddo, pay the cell bill.  Is it really more fun than a 9-5 gig?

Yeah, probably.

Savannah and Emma suffering from cell phone's poor optics in handling relative sizes of items at different distances from the focal plane
Obviously a slow ad season.  The Baby Dolls Saloon ads are back, too.

Nice hits, Plowman.  But can't wait for your STD.

Sunday, April 1, 2018

Fred Garvin Runs 'Em Down -- Who's The Ticket MVP?

Confessor Fred Garvin sent me an essay on his view of the Most Valuable Player on The Ticket, MVP as being defined -- reasonably, I think -- by him.  The views Fred expresses are not necessarily those of Your Plainsman or this site.

I picked the redheads.

As always, comments are welcome.  However, please refrain from ad hominem attacks on Fred or his analysis.  If you disagree, give us your reasons and, if you'd like, an alternative candidate.

I thank Fred for his contribution.  Please send your own proposed post to ThePlainsman1310@gmail.com.  I'll let you know if I think it's suitable or if I would like changes.  You might wish to drop me a proposal for an article first,as Fred did in this case.

Many thanks.  

*     *     *



It’s time for a classic barroom debate: Who’s the MVP of The Ticket?

By “MVP,” I mean the regular host—not substitute host, not weekend host, not Jake, not Danny—who brings the most radio goodness to the table. I’m talking about the person who, if they were to depart The Ticket tomorrow, would create the biggest void, not just for their own show, but for the station as a whole.

In my view, there are only three contenders: George Dunham, Bob Sturm, and Gordon Keith.

One of these we can dismiss fairly quickly: Gordon.

Gordon is loaded with talent. Humorist, writer, musician, impressionist (his Trump is the best in the country), cultural commentator. He’s so talented, in fact, that I was mildly relieved when I heard him sound a little pitchy at Summer Bash. Because really, to be as good as he is at everything else, and to be a handsome son-of-a-*****, AND to be able to sing—well, that would just be cruel to those of us who struggle to do any one thing with distinction.

The only flaw in Gordon’s game is that he doesn’t know sports. And that’s a big deal when you’re on a sports talk radio station. It means that Gordon is largely MIA for important sports conversations. What’s more, in the eight years I’ve been listening to The Ticket, he doesn’t appear to have done anything to address this weakness. So, as great as the Great Gordo is, he’s only going to take home the bronze.

Dunham and Sturm, on the other hand, are the most well-rounded Ticket hosts. They’re five-tool players. To paraphrase a line from a Ticket promo, they can do everything the other hosts do, but the other hosts—talented though they may be—can’t do everything Jub and Sports Sturm can do. 

Ginger time out:
 

 There can be only one MVP, however. So, who’s it going to be? Here’s your point-by-point comparison:

Interviewing: Bob asks the most meandering, self-referential, commentary-laden questions in the business. Good, interesting questions, mind you, but questions that challenge you not to lose the thread. George, on the other hand, keeps things simple. His questions are less thought-provoking than Bob’s, but they cover the essential ground clearly and quickly.

Advantage: This is a tough one, but I’m going to give it to Bob. His interviews, though sometimes awkward, tend to explore unfamiliar terrain, and elicit fresh responses.

Humor: Because he’s partners with Dan, Bob’s humor is underrated. He has a surprisingly quick wit, though, and a fine sense of when to work a joke and when to move on. But George has another gear…impressions, polished comedy bits, and the ability to serve as an effective straight man to Gordon, who needs good set-ups, appropriate reactions, and just the right amount of leash. George delivers all of that.

Advantage: George. Bob may be naturally funnier, but George has arrows in his quiver that Bob does not.

Sports knowledge: Mike knows baseball, Corby knows college football, Jake knows the NBA…but George and Bob know everything. They can talk the Big Four with ease. Bob, though, knows soccer too. Plus, when it comes to NFL and the Cowboys, Bob brings information and analysis to the table that you’re not going to hear elsewhere (including from George).

Advantage: Bob. In terms of sports knowledge, he and George are head and shoulders above most Ticket hosts, but Bob brings more depth and breadth to the conversation than George does.

Music: Music is a big part of Ticket culture—making music, and talking about others who make it. This is obviously a passion for George, but barely a passing interest for Bob.

Advantage: George. His knowledge of music is far superior to Bob’s. Plus, though he’s modest about his musical abilities, I’ve seen George blow the doors off the joint more than once. Bob, on the other hand, is the guy in the audience with you and me, saying “Wow…”

Pop culture: Television, movies, teacher-student sex, politics, Internet memes, weird-but-true news stories…all of this is fodder and fair game for Ticket hosts. Both Bob and George have a fairly chaste sensibility, and tend to shy away from sex-related stories. (This can be difficult, as they are paired with co-hosts—Dan and Gordon, respectively—who often fixate on things carnal.) Beyond that realm, though, Bob seems more attuned to what’s going on in movies and television, and willing to wade into most conversations initiated by Dan or Jake, regardless of topic. George, on the other hand, sometimes hangs out on the periphery of these discussions, letting Gordon and Craig drive the segment.

Advantage: Bob. He’s more comfortable with non-sports talk than George, and more eager to engage in it.

On-air chemistry: I like Dan. A lot. But he isn’t a particularly generous co-host. Bob, though, works hard to generate actual conversations with Dan, and to participate fully in Dan’s bits. This works so well, I find myself wondering if they’re friends outside of work. George and Craig, on the other hand—though friends of long-standing—don’t have the same easy connection. Often, they sound like they’re talking past each other, rather then having an authentic conversation. And George’s impatience with Gordon’s sometimes juvenile approach is obvious.
Advantage: Bob. His rapport with Dan seems natural and fun, which is a considerable achievement, considering Dan’s style. George isn’t on that same level with Craig…and certainly not with Gordon.

X-factor: Both Bob and George seem like exceedingly kind, thoughtful, generous, humble, good men. George does a lot of charity work, and to hear him get choked up when talking about senior citizens has, more than once, brought a tear to my eye. (He’s not given to cheap emotion, so you know his compassion is genuine.) He’s also quick to defend others against Gordon’s sharper barbs.

Bob knows he won life’s lottery—great job, great wife, great kids, great pipes—and like George, seeks to share his blessings: by adopting a child from Honduras, by quarterbacking the “Drop Your Pants” event, and by lifting up his coworkers. (He invites input from Jake and TC, knowing that he’s already made it, but that they need reps if they’re ever going to achieve what he has.)

Advantage: Neither. Both seem like guys you’d be proud to number among your friends.

Y-factor: George is on the air for 4.5 hours per day. Bob is on for 3.0 hours. Both are impressive (can you imagine filling even one hour every day, day after day, for years on end, without taking calls?). But mathematically speaking, one is more impressive than the other…doubly so, when you consider the time of day we’re talking about.

Advantage: George.

***

Based on the foregoing analysis, the application of a proprietary algorithm, and the sprinkling of a little magic dust, your 2018 Ticket MVP Award goes to:

Bob Sturm!

Congratulations, Bob. (And George, against this level of competition, there’s no shame in taking the silver.)

*     *     *

We had a request not long ago for Maureen O'Hara.
Someone home behind those green peepers.  And
she could act.



Thursday, March 8, 2018

Is There Tension?



I ask this question sincerely.  I invite daily BaD listeners to weigh in, because I've recently heard something on BaD that I did not expect to hear.

I have been able to tune into BaD twice in the last couple of weeks.  I regret that I can't listen more often, because I've kind of been warming up to the show over the past year or so.  But I did have a chance to punch in a couple of times recently.

Both times I heard a very tense moment between Bob and T.C.

T.C. would pop on.  Now, in T.C.'s defense, if he needs one, these pop-ons did not seem to me to be any more annoying than T.C.'s usual pop-ons.  You listen to BaD, you're going to hear T.C. pop on.  It goes with the territory.  One of them was a little sarcastic -- I don't recall the subject matter of either -- but well within T.C. historical tolerances.  Some people are OK with T.C.'s pop-ons, others less so, others not at all, but these sounded to me like not-out-of-the-ordinary pop-ons.  I did not take particular note of them, did not think T.C. was out of line in comparison with what he's apparently been allowed to do in the past.

But Bob took note and -- I don't think the phrase is "snapped at T.C."  I think the phrase is more like "expressed very distinctive annoyance at T.C. popping on, or perhaps at the said popped-on content."

In both cases -- my recollection may be a little thin here -- he paused before he spoke, as though considering his words carefully, or to signal that something unusual was coming.

In both cases, he called T.C. "Chuck."  Is that new?  Does he call him "Chuck" when he intends to make a slighting reference?

In the most recent episode he made reference to T.C.'s mic always seeming to be on.  In another he sarcastically -- the sarcasm was not veiled -- "thanked" T.C. for his contribution.

Dan did not speak during these uncomfortable passages.

In the most recent instance, Justin M was sitting in for Jake and had been participating in the show, although less than Jake usually does.  No interaction between Justin and T.C. during these passages (or at all).

I guess this could be a bit.  Again, I don't listen to BaD enough to know if this is some ongoing schtick, or if Bob is growing unhappy with T.C.'s always-bubbling-beneath-the-surface desire to participate in the show. 

Confessors, please -- this is not an invitation to unload on T.C.  We've seen enough of that in the past and we all know how you feel.  I mainly want to know if either Bob or Dan has been spatting with T.C. on the air, or whether what I heard on my two recent flybys was anomalous.

T.C., you're  .  .  .  you're so much more than banter.

Thursday, August 24, 2017

Anyone Know What Bob Said?


Confessor Shaggy reports, second-hand, that Bob "let slip" that The Shake Joint showgram with Sean Bass and Jake Kemp is coming to an end this Sunday.  Did anyone hear that and can anyone give a report?

Does it have anything to do with even more Cowboys' pre-game coverage?

I'll see if I can find out anything.

Thanks for tending to the joint while I was away.  I'm back and trying to find time to give you a report.


Thursday, April 27, 2017

Draft Notes, Random


(1) I don't care anything about the draft and, as the Confessor knows, don't know a whole lot about sports generally.  But for some reason I always love First Night Draft Talk on The Ticket.  This year is no disappointment.  Even though you hear these guys talking about the same things in their own shows during the week, it still sounds fresh and the guys sound engaged and happy to be on call for the greater glory.

(2) Norm mentioned earlier today that he had not been feeling well and might not make it past pick 16.  I wonder if that is why he is making very much mistakes tonight.  Identifying the number one pick as someone's "sister," getting draft numbers wrong, just generally having a hard time getting more complex phrases out with any coherence.  Yow, did I just hear him call a "baby" a "bagel"?  Let's hope that's some medication kicking in. 

(3) Junior Miller is not only the Fred Astaire of The Ticket, he is also the Garrison Keillor of The Ticket, the maestro of wry, dry, observational humor and offbeat gags.

(4)  Bob Sturm is at least a regional treasure, and may well be a national treasure.  He has his issues with excessive discursion on occasion, but if you are patient there's usually a nugget before he takes the next breath.

(5)  One of these days I have to write a David Moore appreciation.  I know some Confessors don't care for him, but I think he's excellent.  Remember, he's the successor to Mickey Spagnola and Todd Archer, and he's still going strong.  I think there's room for Intentional Grounding all year 'round, don't really care what he and Big Bob decide to discuss -- that show always seems too short to me.

(6)  Not much Corby, yet.

(7)  No JV on air tonight, not counting the capsule bios they do after the picks.


"Norm, I don't come to laugh when you cover the draft.  I have the champagne and pork rinds waiting."

ThePlainsman1310@gmail.com
@Plainsman1310

Wednesday, May 4, 2016

That Amazing Draft Coverage


I think I write a little something about this every year, but it's still true:  The Ticket's draft coverage is just terrific.

It's not so much that it goes wire-to-wire, which is pretty amazing in and of itself.  It's the quality and entertainment value of the commentary.

Norm, who remains very knowledgeable, has more or less settled into the role of an amiable master of ceremonies.  Oh, he offers substantive commentary and seems to know the draft class extremely well, but as the years have gone by, Bob Sturm, David Moore, and David Newbury have taken over more of the heavy lifting as to What It All Means.  At least that's the impression I have from the slices of the coverage I'm able to grab over the multi-day extravaganza. 

I really enjoy listening to Bob and it's great to see his profile in Cool Metro continuing to grow with his Dallas News writing and other coverage.  The best moment I heard from the weekend, though, was from The Boomtown. I think it was Saturday afternoon.  Norm had thrown the show to David & David, who were giving their thoughts on the state of the Cowboys' draft.  They spoke carefully and very persuasively without being bombastic.  I loved Newbury's point that all the best drafting teams "know who they are," and that the Cowboys don't seem to.

I swung by Ben & Skin's coverage and just had to shake my head.  There's an argument to be made that Ezekiel Elliot was the best pick, but B&S's over-the-top jubilation and insistence that it was the most amazing best-ever pick just sounded ridiculous after almost every Texas-based analyst was at best confused, and at worst appalled, by what the Cowboys had wrought.  (Although SI gave Dallas's draft an A-.)  Like their year-end Cowboys coverage last year consisting of how tremendously excited they were about 2016 after 4-12, the homerism seemed pretty apparent.  I don't like to ascribe motives to people I don't know, but man.

Having said that, I do ask myself this question and invite the Confessor to set me straight:  If Elliot really is a can't-miss offensive force that can replicate what DeMarco Murray accomplished a couple years back and more, is it possible to argue that in addition to more reliable scoring, his presence will extend drives both through his own skills and occupying defenders who would otherwise by smothering Dez, and in that way keep our shaky defense off the field?  And thus, with this single pick, the Cowboys have not only increased their offensive potency, they may have reduced the other team's offensive possessions, elevating (if only constructively) the entire Cowboys defense.  Whereas Jaylen Ramsey would only have improved one facet of the defense.

I think it's a dubious theory -- addition to the defense by subtracting defensive draft picks.  But thought I'd toss it out there in fairness to Ben & Skin.

In deference to Confessors who view this site at their workplaces and don't want to see babes pop up on their screen when the site flashes on, today's ginger will appear at the end of this deathless prose.

"Which tent is Mike's?"

I try to cover Campound coverage to the extent possible, but my listening has been spotty the last few weeks and that may continue for a bit.  Please weigh in frequently and in detail reporting on the best of our lads out in the forest primeval.

ThePlainsman1310@gmail
@Plainsman1310

Friday, August 21, 2015

Limited Sample Size


Before I get to a mini-review of today's BaD broadcast, I call to your attention that at least one Ticket on-air personality stops by for a cup of coffee now and then, because he sent me a redhead for your delectation and delight.


Slightly racier than my typical selection, but I thought it was very generous of him, and I thank him for dropping me a line.

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My daily chores kept me in the Conestoga during much of BaD Radio today, so I got a good dose.   The lads were coming through loud and clear through the Crosley.

I thought it was very, very good.

Bob seemed relaxed and he made his points crisply and amusingly.  He didn't drone on or qualify every statement with something that sounded like he was trying to avoid committing to his point.  The guy is hard to beat on anything having to do with pro football.  I especially enjoyed his ripostes with Jake on football v. baseball.   I wonder if his co-hosting with Jake -- at least, that's how I interpreted what was going on -- who is pretty well-informed on things sportsy, whether or not you agree with him, sharpened up Bob's game.  All the flab seemed to have been trimmed from his remarks; he was sharp and seemed to be having a good time.

Jake's usually somewhat different viewpoints were expressed in an entertaining way, not smarty-pants or know-it-all.  I understand the point those who find too much Dylan-the-Argumentative-Teen in his presentation, but personally, I don't see it.  I can do without the politics, but I feel the same way about all the hosts on all the shows, so that doesn't distinguish him in a negative way.  I really liked his discussion of Adrian Beltre when they were discussing current fan favorites in Cool Metro.  

T.C.'s Tickers were crisp and error-free, and I can only recall once that he popped on, and even then he may have been invited to do so.  I didn't hear the whole show, but what I heard would never make me think that T.C. was some kind of ratings cancer as some Confessors maintain.

These impressions are not an implied knock on Dan.  I haven't heard big chunks of BaD in quite a long time.  Only saying that I thought the show was a refreshing change for me today, and made me want to try to find more opportunities to drop in again.

As I said, a pretty limited slice of a show that's on for 3.5 hours every day.  Just saying I liked it today.

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 I let some comments through last time that, on reflection, I wish I hadn't.  I do a lot of comment review on my Note while on the run, so sometimes I'm not as reflective as I should be.  

Perhaps time to click through to the Rules of the Confessional for a refresher.  Remember, you can have a great comment but if it wraps up with a gratuitous shot, your journalistic efforts may be for naught.  

Thanks to all for your civil conduct on this site.




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Saturday, May 10, 2014

The Night Before


Two nights before, actually.

I usually enjoy The Ticket's draft coverage even if I don't have a lot of interest in the draft.  I only got to listen to about two hours of it this time around, Thursday evening.  The time leading up to and just following the Cowboys' pick.

It was OK, certainly didn't punch out, but it seemed somehow  .  .  .  I dunno, undernourished.  In the past, The Ticket seemed to have made an investment in the draft, really talked it up, promoted the coverage heavily.  Not so much this year, just the guys in the studio, and Cumulus didn't even turn the air conditioning on for them.

There wasn't the same verve and, I daresay, the same preparation we have heard in years past.  Norm mispronounced names of at least two of the top batch of picks, and on one occasion he was corrected incorrectly by one of the other hosts.

Bob was good, as usual, but seemed kind of checked out, not really fully engaged.  I can't put my finger on it.  No criticism, I just got the feeling that maybe he wasn't all that interested in fighting with all the other voices.



As other commenters have observed, Corby was one guy too many.  Nothing to add on the football front. And he was doing something peculiar:  Every once in awhile he -- at least I think it was him -- would start mumbling quietly when someone else was trying to talk, like nonsense syllables or something under his breath, and Norm would simply stop and the air would go dead.  Some really weird moments.

Bright spot:  David Moore.

I miss Junior Miller's capsule bios of the players following their selection.  Little jewels of reportage and wit.

Draft coverage should be Norm, Bob, and one or the other David (Newbury or Moore).  Whether they're all in the same room or divided up between the draft venue, Valley Ranch, and Victory Park, you'd just have a cleaner, livelier, and more informative show.

Wednesday, February 26, 2014

21st Century Schizoid BaD

First to ID the reference without Googling -- honor system -- and I'll send you something.  I don't know what, but something.  I'm sure I've got something sitting around somewhere I could send you.

I didn't hear Dan twist off on the intern.  But we've heard his on-air downdressings before.  The event prompts some thoughts.

The first thought I had was -- do all the shows have interns?  Are they station interns, or are they hired specifically for BaD?  Is the reason BaD seems to have so many interns is that its the only show that talks about them?  Whenever I hear interns referenced on other shows, it's always a reference to a BaD intern doing something inappropriate.   Or does BaD have some special deal where only they get interns?  (I seem to recall references to Norm interns, too.)  Why does BaD need interns?   Why does BaD need other people to feed them?  Run their personal errands?  Is it the mankilling hours required of Ticket hosts?

I don't really care if BaD has interns and other shows don't.  All part of the deals, I guess.  I just don't understand the function of the intern.  I thought maybe they do research.

But I didn't really intend to make this a column about interns, although I'd be glad to have information about this unsung breed.  Perhaps we should pay more attention to them.  You know, I should be cultivating the intern.  Would be an interesting source of Ticket information, with pretty much nothing to lose if he or she got found out.

Oh, yeah -- get a female intern for Bob and Dan.  I dare ya, Cat.

No, here's what I wanted to write about -- my BaD schizophrenia.

I've been able to tune in more often than usual the past few weeks.  (Less Musers/Hardline, more BaD.) 

And sometimes I hear segments that are as good as anything I've ever heard on the station, sports-talk wise.  I thought the Ron Washington segment a couple of days ago was excellent.  Crisp, thoughtful, balanced.  Mostly Bob, but Dan usefully contributing.  And when I hear segments like that, I think -- you know, I've really come around on BaD, I should write a column about my growing admiration for that show.

Then I hear a segment like the recent El Chapo segment (El Chapo -- the Guzman cartel CEO that just got hisself captured) that was just chaos, and not good chaos.  It bogged down from the first syllable.  The discussion was whether "chapo" meant "shorty," which had already been pretty well established by every single news story on the event in all forms of media.  And while everyone was talking at once, you hear this dial tone, and you think man, that's annoying, Mino needs to fix that.  And it went on and on, and eventually you realize that it's not just an apparently unfixable irritant,  Dan is calling someone.  You don't know who it is.  Someone answers the phone.  No identification of who it might be, none that I heard anyway.  Dan starts talking to the woman in a familiar, flirtatious way, as though she should know who he is, and maybe she does, but doesn't sound ecstatic to hear from him.  He asks for "Mishrod," who I eventually figure out is Michelle Rodriguez (her Twitter ID is @michrod), who I eventually figure out is a fellow Cumulus radio host.  Maybe I should have known that's who Dan was calling, maybe you all knew, but irrespective of my ignorance of non-Ticket Cumulus stars, I was able to perceive that she wasn't a whole lot more interested in hearing from BaD than the receptionist had been.  Dan tried to chat her up, but she wasn't playing along.  The segment lurched to a close.

I was talking to  someone about BaD after that ratings book that showed a dip during some of the Norm-BaD hours.  This individual was as skeptical as we all were that this was anything more than anomalous blip, but he did say that maybe it would prompt BaD to sharpen up the show, especially the first segment or so.  And I thought of that remark when someone commented on the last thread that the segment after the intro was pretty much always burnt.

But every show has its rocky segments.  Why BaD's emerge more vividly for me, I can't say.  I've always liked Bob a lot, and I've warmed up to Dan more and more over the past couple of years.  A big Donovan supporter, too.  So I can't tell you why I punch out on BaD more than all the other shows combined.  And for all  those Chapo fails, there are segments that are brilliant.  And not just sports segments, but segments intended to be funny, and are.  Then Dan shows up a one-step-up-from-a-volunteer kid for insufficient attention to the details of his personal requirements.

See, Bob and Dan are like a railroad track.  They're separated from one another like
these rails here,  and no matter how far they go along together they never
get any closer.   And yet, they succeed perfectly well in their intended purpose.

Nothing like a well-turned metaphor -- actually, I guess I styled it as a simile --
to set off another incisive column.

On balance, if anyone's keeping track, it is the case that I'm a bigger fan of the show than I used to be.  (I know this will please BaD greatly to hear.)   I have been guided in my efforts to appreciate the show by the admiration expressed by many Confessors, who name it their favorite.

I guess where I come out is -- it's a damned weird show rendered entertaining by a mismatch that somehow usually works.   Yes, I do punch out from time to time -- but when I'm by the Philco from noon to three, I'm punching in.

I know that's a long way to go for not much payoff, but I haven't given you much content lately so thought I'd just ramble a bit while I had a few minutes.

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Here's that album cover cactusflinthead refers to in the first comment below ("In the Hall of the Crimson King").  Love Robert Fripp, man.  Solo on the tune is amazing, but my favorite of his is on Eno's "Baby's on Fire."  [CORRECTION 2-28-14:  A commenter points out that the name of the album is "In the Court of the Crimson King."  I regret the error.]