We listeners and Confessors listen to the shows, and we get to know these guys, and we speculate about them, and what goes on at the station, and who's a nice guy in private and who's a jackass. And which guys don't like which other guys, and why. Well, maybe not all of us, but I do.
I'm a little late with this item, but I wanted to think about it. This Ty-Walker-at-the-Final-Four thing is absolutely fascinating. The story was featured on both The Musers and The Hardline. (If BaD Radio or Norm dealt with it, would one of you who heard it leave a comment? My thanks.) I'm sure I don't have all the details correct, but Westwood One needed a stringer to do some reports from the Final Four for some local stations. Someone else there -- Sean Bass, maybe -- declined the assignment, byt Ty Walker took it. Expenses paid, went to the game, got to pet the bulldog, hit a couple bars, and gave a couple of reports for an Atlanta station, maybe on the air for a few minutes total. Something like that.
And not a single report from him on any of the Ticket showgrams.
Both Ty and Assistant Program Director Rich Phillips insisted that all of the producers had received an email that Ty was on this assignment.
Here's what I found most interesting: The Musers did not question Fernando, and The Hardline did not question Danny -- at least not on the air. Neither did either of them jump in and say hey, I never got any email about this. So I assume that Rich and Ty are correct that the producers got the email. The hosts, to a man, denied that they knew anything about it. I believe them too.
So what we have here are the producers being aware that Ty Walker was going to be going to the Final Four, hosts wondering where the heck Ty Walker had gone, and nobody saying anything to anyone. Ty Walker didn't tell any hosts; Rich Phillips didn't tell any hosts; no hosts undertook to find out where Ty Walker was during the Final Four; Rich Phillips' supervisor(s) didn't communicate to any hosts.
It is hard to avoid the conclusion that somewhere along the line, someone did not want to give Ty Walker a platform to broadcast a report on The Little One from the Final Four.
So -- is the hard time that The Hardline gives Ty Walker not just a bit? (Danny: "Stay out of this, Ty!" Gordon: "Wanna switch your mic off there, buddy?")
Is Ty Walker persona non grata across a wide swath of The Ticket? If so, why is he still employed there? If not, why didn't a single soul, not one, undertake to enlist his services while The Ticket had boots on the ground at the Final Four?
It is interesting that the hosts chose to shine a light on this apparent station snafu. Which suggests that maybe Ty's OK with them, but not OK with the next tier in production.
We listen to Ty, and he seems OK. We know he's young, large, reputedly without woman, and a Star Wars fan. Does a very nice job with the Tickers. Ocasionally steps in to provide internet-provided answers to pressing showtime questions.
So he doesn't seem like someone you wouldn't want to hear from the Final Four.
Which suggests that there's something else going on, and consider: It may have absolutely nothing to do with Ty. In fact, I'm guessing that it doesn't. It may be that inter-level communications -- and we have at least four levels here: Cat/Rich; hosts; producers; and Ticker guys -- are not what they should be.
And it could be that these guys get too much email, and they're not exactly the types to sit in an office looking at email all day, especially email from management with "Ty Walker" in the subject line.
Can any Confessor shed any light on this fascinating episode?