Showing posts with label Gordon Keith. Show all posts
Showing posts with label Gordon Keith. Show all posts

Saturday, July 25, 2020

FROM THE DRAFT PILE: Who Will Be the Next Ticket Guy to Strike Out for Greener Pastures?

[As of this post there have been 942 posts on My Ticket Confession.  All but a very few are original drafting, the small balance being archive replays and a couple of guest columns.  I noticed that I had 9 unpublished drafts.  I went back to look at them and was mostly amused by my errors.  But it was fun to go back and read them, and I thought I'd publish a few of them so you could be amused too.  This also has the merit of substituting for actual new composition, making up for my lack of production recently, and the difficulty I have had in finding Ticket-listening time.

This item was drafted on December 27, 2012.]

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I include in this survey any Ticket guy whose name you would recognize, whether they get much on-air time or not.

I'm not talking about getting fired, I'm talking about leaving voluntarily. 

Here's my candidate:  Ty Walker.

Ty is a pretty talented and valuable guy.  I've come to appreciate his co-hosting skills with Sean Bass, his Tickers are very skillful (if you like Tickers), and he's experienced.   I haven't always felt that way about him, but I've come around; when I catch him and Bass on Ticket Sports Weekend it's always a strong show.     I don't know what goes on behind the scenes, but for some reason the guy gets little or no respect from the shows upon which he toils, most notably The Hardline.  Whether there is a reason for that, I have no idea.  I'm not aware of any.  Yeah, the porn enthusiasm and Star Wars stuff is a little peculiar, but no more than the crotchets of any other host.

The guy is a man; he's forty or thereabouts.  If he left for anchor work elsewhere he wouldn't be giving up a plum position or big coin, but he'd be leaving behind what sounds to me like not-in-fun ill treatment he sometimes receives.  Maybe it's a bit, maybe he's OK with it, but it sounds to me like there's an edge to it. 

I've speculated on the station's odd attitude toward Ty in the past, most notably in connection with the mystery of his network assignment at the 2010 Final Four and why The Ticket completely ignored it. 

I hope he hangs on at The Little One, and I'd like to hear more of him as a host. He deserves more of a shot; at a minimum, enhanced appreciation from his colleagues. 

Unless, as I say, there's some off-mic stuff we don't know about.

Any thoughts on who might be next to bolt?  Do you agree that Ty is an asset?

[This item seems to be unfinished.  I don't know why I didn't return to it.  It sort of looks like it started out to be a list, but ended up with only Ty as the only "candidate," singular, and the last line looks like a sign-off.   I don't know who else I might have put on this list before I stopped writing it, but I'm pretty sure two others, maybe the only two others, would have been Rich Phillips and Gordon Keith.  I might have included Donovan Lewis back then.

In commenting, you may wish to speculate on who among the present lineup, including producers, weekend talent, tickerpeople, and others whose names we know, might be candidates for departure.]

❤️ Redhead beauty❤️ | Redhead beauty, Stunning redhead ...

Monday, December 30, 2019

My Ticket-Related Criterion for the Next Cowboys Head Coach


He has to be someone that Gordon or George, or hey, maybe even Craig, can mimic.  I'm sure we'll continue to have visits from Garrett and Wade, but we need someone helming the Cowboys who possesses a distinctive timbre or manner of speaking or pet phrases. 

Whatever we may think of Wade Phillips and Jason Garrett, they blessed the P1 with a decade-and-a-half of comedy gold at the hands of Gordon and George.

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Parting Garrett shot:  Everyone is careful to say what a nice guy he was before they dump on him.  Some are even saying that they now feel sorry for him for having coached under Jerry's stifling conditions. 

I'm not sure about that.  I'd feel a lot better about him if I ever heard him take any responsibility for poor game management, spotty preparation, failure to hold players to account, and all manner of other managerial weaknesses. 

As passive as the guy seems, my take is that he has an absolutely massive ego that demanded fealty to his primitive "processes" -- whatever they were -- despite the growing evidence that they were putting the Cowboys a decade behind the rest of the league.   Stubbornness can be a virtue, until it ossifies into not knowing what else to do.

Ahh, whaddya expect from a Princeton guy?

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Wishing all Confessors a happy and safe New Year.  Thanks for coming along for the MTC ride in 2019.

                                                                                       -- Plainsman

Image result for stunning redheads

Monday, December 3, 2018

There Is Nothing Like the Ticket


Or maybe there's nobody like Gordon Keith.

Or maybe there's nobody like Jason "Killer" Kellison.

But as I was marveling this morning at yet another one of Killer's Gordon-penned oral essays, this one on Christmas, the thought that came to me was that as brilliant as Gordon can be -- is -- and as perfect a foil as Killer has sacrificed his dignity and self-esteem to become, what's unreproduceable these bits is the combination of the two of them, and Junior's appreciative laughing-but-not-overlaughing, and Jeff Catlin keeping his hand lightly enough on the tiller to allow this kind of satire on some things that some listeners unquestionably believe are beyond kidding.

Gordon couldn't perform that essay himself.  It would never work.  The words wouldn't be funny coming out of his smart mouth.  Jer -- no.  Craig, George -- no.  Fernando -- certainly not.  Killer -- he ain't dumb, but his history of eager but not-entirely-smooth forays onto the air makes him the perfect interpreter of these bits, which I almost always find hilarious.  Of course, nobody thinks Killer is dumb.  I sure don't; Ticket management certainly doesn't.  But in Killer, Gordon has found the perfect actor, and it's impossible to imagine any other program on The Ticket or the Fan or ESPN where that bit could even have been offered. 

Which is why, among many other reasons, The Ticket is essential.  It is the only home for certain kinds of programming, the for the peculiar genius that bubbles up out of the chemistry between this once-in-a-lifetime -- or maybe once-in-a-generation -- set of humans.

Ken Berry, RIP.




Wednesday, July 25, 2018

Brain-Freeze Quick Hits


     (1)    Is that song that's going on in the background of some recent promos -- kind an industrial drone with an ascending three-note figure, repeated without change, with a distant, distorted voice saying "sports" -- an actual song?  Or just a promo bed someone put together?  It's hypnotic.

     (2)    My brain also made tiny by this utterance on the latest Meador commercial issued by Charlie Gray:  "We're continuing our 50-year tradition of offering the lowest prices in our history."

     Which I guess would mean continuously declining prices for 50 years.



     (3)    Gordon doing a hit-and-run reference to Duke Ellington this morning when imitating a Frenchman who has been sent out to grade the various Tour de France -- grades -- by category, who returns and reports that they are "beyond category," one of Ellington's favorite phrases.  (Says it several times.)

     (4)    Gordon/George bickering reaching punch-out proportions.   Bog; negative humor value; converts attractive persons into unattractive persons.


     (5)   Big Black Cowboys Computer -- fun bit, some yucks, but reduce airtime by about 47%.

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@Plainsman1310



Sunday, April 1, 2018

Fred Garvin Runs 'Em Down -- Who's The Ticket MVP?

Confessor Fred Garvin sent me an essay on his view of the Most Valuable Player on The Ticket, MVP as being defined -- reasonably, I think -- by him.  The views Fred expresses are not necessarily those of Your Plainsman or this site.

I picked the redheads.

As always, comments are welcome.  However, please refrain from ad hominem attacks on Fred or his analysis.  If you disagree, give us your reasons and, if you'd like, an alternative candidate.

I thank Fred for his contribution.  Please send your own proposed post to ThePlainsman1310@gmail.com.  I'll let you know if I think it's suitable or if I would like changes.  You might wish to drop me a proposal for an article first,as Fred did in this case.

Many thanks.  

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It’s time for a classic barroom debate: Who’s the MVP of The Ticket?

By “MVP,” I mean the regular host—not substitute host, not weekend host, not Jake, not Danny—who brings the most radio goodness to the table. I’m talking about the person who, if they were to depart The Ticket tomorrow, would create the biggest void, not just for their own show, but for the station as a whole.

In my view, there are only three contenders: George Dunham, Bob Sturm, and Gordon Keith.

One of these we can dismiss fairly quickly: Gordon.

Gordon is loaded with talent. Humorist, writer, musician, impressionist (his Trump is the best in the country), cultural commentator. He’s so talented, in fact, that I was mildly relieved when I heard him sound a little pitchy at Summer Bash. Because really, to be as good as he is at everything else, and to be a handsome son-of-a-*****, AND to be able to sing—well, that would just be cruel to those of us who struggle to do any one thing with distinction.

The only flaw in Gordon’s game is that he doesn’t know sports. And that’s a big deal when you’re on a sports talk radio station. It means that Gordon is largely MIA for important sports conversations. What’s more, in the eight years I’ve been listening to The Ticket, he doesn’t appear to have done anything to address this weakness. So, as great as the Great Gordo is, he’s only going to take home the bronze.

Dunham and Sturm, on the other hand, are the most well-rounded Ticket hosts. They’re five-tool players. To paraphrase a line from a Ticket promo, they can do everything the other hosts do, but the other hosts—talented though they may be—can’t do everything Jub and Sports Sturm can do. 

Ginger time out:
 

 There can be only one MVP, however. So, who’s it going to be? Here’s your point-by-point comparison:

Interviewing: Bob asks the most meandering, self-referential, commentary-laden questions in the business. Good, interesting questions, mind you, but questions that challenge you not to lose the thread. George, on the other hand, keeps things simple. His questions are less thought-provoking than Bob’s, but they cover the essential ground clearly and quickly.

Advantage: This is a tough one, but I’m going to give it to Bob. His interviews, though sometimes awkward, tend to explore unfamiliar terrain, and elicit fresh responses.

Humor: Because he’s partners with Dan, Bob’s humor is underrated. He has a surprisingly quick wit, though, and a fine sense of when to work a joke and when to move on. But George has another gear…impressions, polished comedy bits, and the ability to serve as an effective straight man to Gordon, who needs good set-ups, appropriate reactions, and just the right amount of leash. George delivers all of that.

Advantage: George. Bob may be naturally funnier, but George has arrows in his quiver that Bob does not.

Sports knowledge: Mike knows baseball, Corby knows college football, Jake knows the NBA…but George and Bob know everything. They can talk the Big Four with ease. Bob, though, knows soccer too. Plus, when it comes to NFL and the Cowboys, Bob brings information and analysis to the table that you’re not going to hear elsewhere (including from George).

Advantage: Bob. In terms of sports knowledge, he and George are head and shoulders above most Ticket hosts, but Bob brings more depth and breadth to the conversation than George does.

Music: Music is a big part of Ticket culture—making music, and talking about others who make it. This is obviously a passion for George, but barely a passing interest for Bob.

Advantage: George. His knowledge of music is far superior to Bob’s. Plus, though he’s modest about his musical abilities, I’ve seen George blow the doors off the joint more than once. Bob, on the other hand, is the guy in the audience with you and me, saying “Wow…”

Pop culture: Television, movies, teacher-student sex, politics, Internet memes, weird-but-true news stories…all of this is fodder and fair game for Ticket hosts. Both Bob and George have a fairly chaste sensibility, and tend to shy away from sex-related stories. (This can be difficult, as they are paired with co-hosts—Dan and Gordon, respectively—who often fixate on things carnal.) Beyond that realm, though, Bob seems more attuned to what’s going on in movies and television, and willing to wade into most conversations initiated by Dan or Jake, regardless of topic. George, on the other hand, sometimes hangs out on the periphery of these discussions, letting Gordon and Craig drive the segment.

Advantage: Bob. He’s more comfortable with non-sports talk than George, and more eager to engage in it.

On-air chemistry: I like Dan. A lot. But he isn’t a particularly generous co-host. Bob, though, works hard to generate actual conversations with Dan, and to participate fully in Dan’s bits. This works so well, I find myself wondering if they’re friends outside of work. George and Craig, on the other hand—though friends of long-standing—don’t have the same easy connection. Often, they sound like they’re talking past each other, rather then having an authentic conversation. And George’s impatience with Gordon’s sometimes juvenile approach is obvious.
Advantage: Bob. His rapport with Dan seems natural and fun, which is a considerable achievement, considering Dan’s style. George isn’t on that same level with Craig…and certainly not with Gordon.

X-factor: Both Bob and George seem like exceedingly kind, thoughtful, generous, humble, good men. George does a lot of charity work, and to hear him get choked up when talking about senior citizens has, more than once, brought a tear to my eye. (He’s not given to cheap emotion, so you know his compassion is genuine.) He’s also quick to defend others against Gordon’s sharper barbs.

Bob knows he won life’s lottery—great job, great wife, great kids, great pipes—and like George, seeks to share his blessings: by adopting a child from Honduras, by quarterbacking the “Drop Your Pants” event, and by lifting up his coworkers. (He invites input from Jake and TC, knowing that he’s already made it, but that they need reps if they’re ever going to achieve what he has.)

Advantage: Neither. Both seem like guys you’d be proud to number among your friends.

Y-factor: George is on the air for 4.5 hours per day. Bob is on for 3.0 hours. Both are impressive (can you imagine filling even one hour every day, day after day, for years on end, without taking calls?). But mathematically speaking, one is more impressive than the other…doubly so, when you consider the time of day we’re talking about.

Advantage: George.

***

Based on the foregoing analysis, the application of a proprietary algorithm, and the sprinkling of a little magic dust, your 2018 Ticket MVP Award goes to:

Bob Sturm!

Congratulations, Bob. (And George, against this level of competition, there’s no shame in taking the silver.)

*     *     *

We had a request not long ago for Maureen O'Hara.
Someone home behind those green peepers.  And
she could act.



Thursday, June 22, 2017

CONFIDENTIAL TO CRAIG "JUNIOR" MILLER: Come Home




Craig, as a fellow cycling enthusiast – but not in your league – I am excited about your cross-country jaunt.

As a Ticket listener, and in particular a daily Muser auditor, I am shaking with withdrawal symptoms.

Please take a right turn in Missouri – I believe I heard it said you were traveling west to east – and return to Dallas.

I am second to none in my near-worshipful admiration of Gordon Keith.  His gifts are staggering.  This site has dedicated entire months to celebrating him.

I also join all of humanity in having enormous affection for George Dunham.  It takes a special kind of talent to be one of those Sara Lee people, one of those people nobody doesn't like.

But, like many very fine things, Gordon is best savored in small portions, served at intervals that leave us looking forward to his contributions.

And George – needs a co-host.

Gordon is a noodger, a baiter, a badgerer, a ceaseless font of freshman debate tricks.  George isn't equipped to respond meaningfully.  Segments bog down before they get rolling.

Craig, I have referred to you as the Fred Astaire of the Ticket.  

"Rita, you won't believe what's coming up in Scattershooting."

 Fred dazzled us with his terpsichorean skills, but on the set he imposed discipline.  You moderate Gordon's behavior in ways George cannot do, and you also occupy air time that Gordon is now called upon to fill, which would be OK if he didn't feel the need to be "on" all the time.   Did we really like it all that much when someone tried to conduct a sincere interview with Robin Williams, or Dangerfield, or Rickles? 

So please abandon your lifelong dream of pedaling the country and come home and take care of the P1s that have made The Musers the most popular radio show in the entire world.

CONFIDENTIAL TO JEFF "USA CATMAN" CATLIN:   Doocy is not a complete solution, since Gordon – after reducing his Doocy-baiting for awhile – can't seem to let go of that bit.  But he way beats an empty chair.   Why he's vanished, I don't know.   But you've got an entire school of JV swarming around the borders of these shows, several of whom the P1 would love to see sitting in with George and Gordon, the same way Jake sits in with Bob and/or Dan.

Fix this shit, Jeff.

I know, guys, but those legs  .  .  .  .

Monday, March 20, 2017

The Quick Hits Just Keep On Coming


Confessors, apologies.  I've been working seven-day weeks for awhile and when I get a few hours The Woman needs attention and bills need to be paid and other loved ones need a few things, so there you go.

But I've been keeping a few notes lately.  Thought about making each one a separate crappy post, but will go with a data dump instead.

Thanks for continuing to check in.  Come on, lads and ladies, let's get some nice civilized threads going here.  (You know, there are more female Confessors than you might expect.)

Numbered for your convenience in response:

        (1)   When Nerlens Noel joined the Mavs and missed that flight, Mike and Corby reported that they hadn't heard anything about the guy being a problem teammate at his prior port of call.  The Musers had reported earlier in the day that he had been chronically late or absent from meetings with the 76ers and frequently fined.  Of course they hadn't heard about it because they don't prepare for the show.  And today, Corby had this segment on "Beauty and the Beast" and had absolutely zero concept of what the movie was about.  One-half minute on Google would have solved that.

      (2)    Holy Christ, those Load Bearing Wall people.  (www.loadbearingwall.com.)   Gonna remove a load bearing wall for you in a way that will not make your house fall down.  And then they're going to give you a TEN YEAR WARRANTY?  So what are they warranting against?  It's gotta be that YOUR HOUSE WILL NOT FALL DOWN AFTER THEY DO THEIR WALL-REMOVAL THING.  And they warrant that that will be the case for -- TEN YEARS?  After which that warranty will expire and too bad if your house collapses around you, or whoever is so unfortunate as to purchase it from you and receive that valuable transferrable warranty for a home they may live in for decades?  Is that the worst goddam warranty you ever heard of?  All-Pro Foundation Repair guys must be splitting a gut right now.

      (3)    If Craig "Junior" Miller is going to make fun of ebonics -- and I have no problem with anyone making fun of ebonics, by the way -- he needs to get the ebonic patois right.  He will sometimes say to George and Gordon, "Let me axt you a question."  But the Community word (not universal, I'm sure, but I've interviewed many AA employment candidates who use it) is not "axt," but "ax."  (See, e.g., http://articles.latimes.com/2014/jan/19/opinion/la-oe-mcwhorter-black-speech-ax-20140119)  Now, Junior is a very sophisticated humorist, so perhaps he is deliberately getting wrong what is already wrong (conventionally speaking) as a honk who misuses AA patois -- i.e., it's a bit.  But I think he's just not hearing it right.

      (4)    My Lord Jah Almighty, the Tylock/George Eye Care jingle is absolutely hahhrrrrible.  Sounds like a bunch of schoolgirls, and the thing is way too grandiose and overproduced and LONG.  I thought the old Boothe Eye Care Lasik ads were bad -- remember his TV ad, where he has a Cowboys uniform on? -- but this one is hilariously awful.

      (5)    Many times when a Confessor has an issue, he starts with "Is it just me, or  .  .  .  . "  This one, no.  It's not just me.  What the hell is going on with The Ticket's return music?  It has gotten way, way too loud, and goes on way, way too long without a fadeout.  Hosts can barely be heard as whatever is being played goes on and on at excessive volume.  Now, I gather that at least on The Hardline, a host is in charge of selecting return music?  So not pointing any fingers, I'm thinking this has got to be some kind of new policy.  O Sainted Catman of the New World, please make it stop.

      (6)    JUNIOR MILLER, TECH SAVANT.  He predicted the early demise of the iPad -- presumably, tablets generally, shortly after their introduction.  I love my Samsung Galaxy Tab S2, use it all the time, but I'll be switched if old Joonze didn't have it right.  (TECH CRUNCH: Tablets Are Dead)

      (7)    Why isn't Gordon, whose column was short-listed for a Pulitzer at the Dallas Morning News, still doing that column?   I believe I heard him talk about maybe reviving it, which suggests perhaps it was his choice to discontinue.  Can't believe he would voluntarily give up that kind of national exposure with what was really some excellent, prize-winning work.  Anyone know the story?

      (8)    Wouldn't you think that wordsmith Gordon would have thought up a better name for his band than "The Gordon Keith Band"?

      (9)    Laughed heartily at the brief Hardline discussion on 3/9 about whether you could keep a woman occupied “all day” with frozen peanut butter in a red “kong” toy as you can a dog.

      (10)    Why is so much major Cowboys news broken by national media (Schefter, Mortensen, others) rather than local media?  Granted, sometimes their scoops are wrong (Schefter's report that the Cowboys were going to release T. Romo that Thursday a few weeks back).

      (11)   Jeez, Danny's voice is sounding worse and worse.  Constant gravel now, that former mellow Gentleman Jack smoothness is a thing of the past.  Worrisome.

      (12)   Junior is now promoting Stellar Home Theater.  A week or two ago, someone was talking about recording a series, or watching a particular series, or something, and someone was asking Junior if he were "in" on either watching or recording.  He said, in a voice filmed with doom, that he was presently unable to do so.  OWTTE.  Had to chortle.

      (13)   Last 11 times I have punched in to Monte + The Machine (aka "Not a Podcast") out running errands on a Saturday morning, I have heard, upon said in-punching, the voice of Mike "The Machine" Marshall.

      (14)    I need help.  On maybe a half-dozen occasions over the past month or so, I've punched out on the station for one reason or another.  Maybe not even something related to show content, maybe just not ready for another bunch of ads, or maybe I had some music cued up, or something.  Or maybe the lads were yammering on with more vagina talk, or teacher-student sex talk, or something else I'm tired of.  Maybe I'd arrived at a store and was leaving the Conestoga for a few minutes.  Or maybe I had gone from the car to the office to pick up my listening there.  Got a nice stereo there just for that purpose. No big deal, we all punch out for one reason or another from time to time.  But on these occasions, I FORGOT TO PUNCH BACK IN.   Last Friday, for example, I realized that I missed Junior's Scattershooting and the E-Brake, which I never like to miss. it's happened on other occasions when I was perfectly free to listen to my weekday and weekend heroes, and had a distraction of one kind or another causing a PO, and never came back.  Very concerning.  Hoping it's a phase.  Not aware of any particular disenchantment with the weekday crews, not bored with The Ticket concept or guys.  So not sure what's going on.  You ever take a subconscious break from The Little One?

      (15)   I'll leave you with this:

      It is the 90s.

      I'm in St. Louis, negotiating a deal.

      I'm at the Lambert Airport Marriott.

      More precisely, I'm at the Firehouse bar in that certain lodging destination.

      Kind of dark, smoky.  Yes, kids, there was a time you could smoke in bars.  Noisy.

      I was just kind of standing there.  Had to be sharp the next day, not carousing.

      I noticed that there was a man sitting in a chair right next to me, quiet, alone.  Just sitting there, seemed a little down.

      I looked down.

      Chuck Berry.



Sunday, December 11, 2016

So What's the Deal with All This Tension?


And during the feelgood holidays, at that?

Let's review:

Mike Sirois v. T.C. Fleming:   T.C. holding forth at length on some aspect of coolness relating to cleats, and Sirois just flat sutting him down.

T.C. Fleming v. John Fahy:   I heard that exchange this morning at the beginning of That Certain Shake Joynt.  T.C. took his "competently produced" shot, and Fahy absolutely unloaded on him at his next opportunity, noting T.C.'s history of occasional marblemouthedness during Tickers, his BaD Radio sycophancy, and other sins.

Jake Kemp v. Unidentified Shake Joint Guy:  I missed the first few minutes of the show, but it sounded like Jake was wrapping up some fairly specific put-down of someone working on the show that morning, but I got in late couldn't identify the victim of his wrath.  Please advise if you know who it was.



Gordon Keith v. Mike Sirois: About Mike's mother, no less, and what I gather was speculation on her sexual history.  I caught just a little of this on Monte + The Machine yesterday so might not have that quite right -- corrections welcome.  (Those M+M boys do like to stir things up, don't they?)

Jake Kemp v. John Fahy:  After gently chiding his pal T.C. for his "silly" and "uncool" remarks about John, he noted that in listening to the latter's Top Ten work, he observed that Fahy would sometimes eliminate the actual punch line of the segment being featured, but sometimes include the 40-liner.   Tending to support T.C.'s judgment.

What's going on?  No idea; however, I wonder if it has something to do with the fact that the established hosts aren't likely to go anywhere for a long time unless someone retires early or dies, and you have a generation of JV that's been there a long time with no advancement.

The Ass Ceiling:  You keep these ambitious, intelligent guys down long enough with so very few opportunities to shine on-air, and the jockeying for position can become pretty intense.

Could be something else -- some event behind the scenes that's caused some lines to be drawn among The Next Generation.


I thought you'd enjoy a post that wasn't about advertising.