Sunday, April 1, 2012

Almost Back

I'm still tied up like crazy but should be back in a couple of days.  In the meantime, I've got a few minutes here tonight so will toss off a couple.

(1) My appreciation of Michael Gruber will be appearing as soon as I can write it.



(2) Cannot believe I missed what from all reviews were very well-received wife swaps.  I wonder if someone an tell me:

     -- Confessors reported on Gordon and Geoge as plus-ones on The Hardline.   Did HL personnel appear on The Musers?  Any other swaps?

     -- Was there any reported reason for the swaps?  Was Corby away?  Travel plans require the swaps?

(3)  Re:  Vulgarity.  I hope I have been clear about my position on this.  Let me repeat it:  The Hardline is not too vulgar for me.  I don't recall ever punching out because I was offended by any of the orifice and related humor.  My point in the past has been simply that The Hardline is, by terrestrial radio standards, pretty blue, and that the talent on that showgram is better than that, and the presentation would be better without it.  And that the vulgarity is a big reason that a lot of non-listeners are non-listeners.  Pretty obviously, The Hardline's tone hasn't hurt it one point in the ratings, so I wouldn't expect they would change a thing. 

(4)  As to whether this site comes to any host's attention:  I agree with the commenter who said that they probably cruise by once in awhile, but I'm guessing that every host and Jeff Catlin get more emails every day than this site gets hits.  They've probably had complaints about content for years.  And I suspect they're a whole lot more interested in y'all than they are in me.

(5) The question of Michael's replacement is a verrrry interesting one.   There's a lot of talent among the JV, but I believe only a few are highly experienced board operators.  I had a candidate in mind, but I don't think I've ever heard that he twiddles and tweaks, so I'll probably stash that idea.  So who knows -- we may never have heard of the next BO.  Whoever it is, I'm already feeling sorry for him -- or her.

Think about it.

Hope to be back with some actual content in the next few days.

Tuesday, March 27, 2012

EMERGENCY OPEN THREAD: The Departure of That Nice Young Michael Gruber

I'm actually sitting here in the middle of a meeting in NoCal, but certain things have to be put aside.  No time to write anything on this, except that (i) I regret intensely and (ii) I'm delighted that Michael is pursuing his education. 

The Barley House is in mourning.

There will certainly be more on this, but here's a place for us all to gather on this very dramatic day in Ticket history.

Sunday, March 25, 2012

OPEN THREAD: Imagining the Unimaginable

Lamest.  Open Thread. Ever.

Confessors, I am out starting now and until at least next weekend.  I will have to leave this site in your very good hands.   Not even sure I'll have time to monitor comments, so continue your current practice of civil discourse.  (The tone of recent back-and-forths has been very high.)

This LOTE is prompted by the last ratings book I reported on a few weeks ago.  I was extremely surprised at the relative strength of ESPN compared to The Fan.  I would have expected the latter to be much stronger than the former, but not so.

So here's your starter topic:

If The Ticket vanished tomorrow (given its technical backwardness, not so far-fetched), and its hosts did not migrate to other sports-talk stations in DFW, and you decided that you still wanted to listen to sports-talk on the radio, which of the two remaining sports talkers would you turn to, and why?  You can compare stations generally, or you can go show-by-show, host-by-host. 

Open Thread policy remains the same:   You are free to ignore the offered topic completely if something more interesting comes along, or we need to get reaction on some showgram drama having taken place that day.

Sorry for the absences. Be back in a week at the earliest.  Carry on.

Wednesday, March 21, 2012

Stop the Bombing

I must have gotten up on the wrong side of the pallet this morning.

So much so that I'm not even going to apologize to hockey fans for the following:

I understand that shows that formerly didn't give a rip about hockey (Musers, Hardline) are now required to do hockey segments because The Ticket has had the misfortune to have CTOs who thought it needed some sport to be the "flagship" of.

But must we be subjected to segments such as aired today on "how the Stars feel" -- feel, for crying out loud -- about only earning one point instead of two in last night's shootout victory?   Christ, I could have done that segment.  ("Well, Craig, I doubt that they feel as good about getting one point as they surely would have if they'd gotten two."  Do I get the job?)  I am inclined not to blame The Musers, partly because I'm mainly in the tank for The Musers to begin with, and partly because I'm guessing that they were surely forced to do some kind of hockey segment. 

Yeah, I know they went on the hockey road trip and it changed the Stars' fortunes, but this is my blog and I'm in a bad Ticket mood and I don't want to hear hockey talk under any circumstances unless it involves female nudity.  And I especially don't want to hear forced-segment hockey talk.

And maybe I've been listening to too much Donovan lately, but I'm wondering if the Musers conspired to put on the most leaden possible segment to embarrass management into not imposing a hockey-talk quota.

===============

And while I'm in a lousy Ticket mood, what the hell was wrong with 1310 AM this morning?  I get into range where it's usually clear -- you know, downtown -- and it sounds like five other distant stations are broadcasting in the background.




Saturday, March 17, 2012

Donnie Don't

I'm probably going to regret this.

This site is a fan of Donovan Lewis.  Like the sound, like the content, like the attitude.  Like the race talk with the other hosts -- funny, respectful, hits the right notes.  I hope I don't sound patronnizing, but it has occurred to me that Donnie and the BaD team interact with one another in exactly the right way in this time of delicate racial sensibilities.  When he gets friends and family on the air -- some memorable segments, great radio, funny, and educational to those of us who spend too much time on the honkish frontier.

Some commenters have opined that he talks too much, beats things into the ground, takes over segments.  Just never got that impression. 

But my jaw dropped today as I hit the Philco in the Conestoga, waiting eagerly for Race Week, when Donnie and Cash (I think it was Cash, anyway -- I don't listen to Norm enough to have Mike's sound emblazoned into the living tissue, and I think I heard that Mike was in Las Vegas) discussed Earvin "Magic" Johnson's two decades of good health after his announcement that he was HIV-positive.  Thankfully, he never developed AIDS, and has remained in good health ever since through administration of the ever-improving "cocktails" to fight the disease. 

(Folks, please:  Let's not get into the controversy of whether "HIV causes AIDS."  I'm pretty familiar with that controversy, stoked most prominently in the 1990's by Cary Mullis, the Nobel prize-winning biochemist who invented polymerase chain reaction (PCR) technology.  The biology remains somewhat controversial, and certainly the AIDS pandemic never took hold in the US as predicted, but there doesn't seem to be much legitimate controversy about the connection between the virus and AIDS.)

I remember that announcement well.  During the Bulls-Lakers 1991 Championship Series, I recorded a parody for WLUP in Chicago ("Got a Black Magic Johnson") that got some good airplay.  A few months later, Magic made his announcement.

It is Donovan's opinion that Magic Johnson was never, has never been, HIV-positive.

He believes that, at age 32, Johnson was approached by the NBA and other powers-that-be offering him -- I'm not sure what -- to falsely represent that he was HIV-positive, end his playing career (mostly, for awhile anyway) and to become a powerful voice in HIV/AIDS education, which he has been in the years since. 

His evidence:  No one of the many women with whom he had sex in the years prior has ever come forward to claim that Johnson (who, I guess it is reputed, never took Mike Rhyner's advice on appropriating sheathing practices) infected them.  Nor his wife (Cookie).

I had never heard this theory before, and wondered whether it was some kind of underground conspiracy theory that never got much pub.  My research hasn't been exhaustive (Google), but I only found one reference to anyone else publicly expressing that thought:   In 2008, a couple of radio talkers at KTLK in Minneapolis, Chris Baker and Langdon Perry, expressed the view that Magic "faked AIDS."  They didn't express their reason for thinking this, not coherently anyway, and seemed puzzled at what his motivation might have been.  (They were obviously puzzled about other things, expressing the thought that Johnson was "the only cured AIDS guy ever.")

Magic strongly rebuked them, and the station "regretted" the remarks and ran a series of HIV/AIDS public service ads in penance.

So -- wow, Donnie.

Now, I didn't hear what came before this, so perhaps I need some context here.  But it didn't sound to me like he was kidding.  He was pretty adamant about it. I would be grateful if anyone else heard this and heard it differently.  And let me say this:  If I've got Donovan wrong here based on what got broadcast, I'll apologize and take this post down.

Interesting to see whether Donovan's remarks will cause a stir.  I'm imagining that Cat is on the phone to The (Incomparable) UnTicket right now.

Donovan -- still love you, man, and you've got some stones.  But hokey smokes, Bullwinkle, hope you're wearing your asbestos boxers. 

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OK, Confessors:  You're a civil bunch, this is a site for respectful comment, and let's keep it that way.  It's a delicate subject, and while if you want to take a shot at Donovan you can do it here, I'll cordially invite you to keep it in the ballpark. 

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Take Me Out to Diamond Talk

This site is a big fan of The Tee Box with Rick Arnett and Craig Rosengarden on Saturday mornings (actually, a big fan at all times). 

But it was great to twist the knob on the Philco this morning on the way to work and hear Sean Bass and David Newbury holding forth on All Things Rangers.  These guys do a solid job during the year and today's presentation is really keeping my interest.  (I'm writing this during their Chuck Morgan interview, which has been real good.) 

David Newbury has taken some heat from Confessors over the months for various reasons:  Fracas with Matt McClearin, an unsmooth broadcast delivery.  I think he's fine.  I do like to hear broadcasters who sound like they're not afraid of a mic, but I think David fits in well with the overall sound of The Ticket.  Sounds like a guy to me, with the added benefit of being a guy who really does his homework.

Sean Bass brings his Tickerman skills to the show along with solid diamond knowledge.  He's a legacy voice for me on the station, never a stop-down.  He also seems to be a guy who has the respect of everyone on the station.  Can't put my finger on why I get the feeling that he's a well-liked figure among the hosts and JV, but it's just something that I feel through the speakers. 

Can't wait for the roar of the grass, the smell of the crowd.

Not Sean and David; Snow Monkeys in Snow

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Friday, March 16, 2012

And This Is How the Ticket Welcomes Me Back

So I'm away all week in rough meetings. I had a terrible day of travel yesterday.  Got into DFW at 11:45 on American, of course the Conestoga is parked at the other American terminal, TravelLink wasn't operating so had to call them up and have them come get me (and others who'd gotten in late).  Took them forever to come and they were surly when they arrived.  Impossible signage out of DFW to get on the right road with all the construction.  Head didn't hit the pillow until 2 AM.   Mrs. Plainsman had let the dog sleep on the bed all week and it missed me, so it refused to go into its crate and now I have a large furred mammal braced up against me like an All-Pro Foundation Repair pier as I try desperately to grab a few hours of sleep before an early day today.  I get up and discover that the latch on my catalogue bag is stuck so I can't get to any of my stuff, including my laptop and all pertinent documents.  I'm facing deadlines and hours behind and no idea how I'm going to get my bag open.

Ah, The Ticket!  Always a bright spot.  I run the razor back and forth along the strop so I can get a nice close shave, lather up my face, and reach over and turn on the Crosley.

And what do I hear?

Three hours of Gordon's desperate and apparently unreturned man-love for Mike Doocy.

Big Gordon P1 here.   I've got a pro-Gordon piece in the hopper.  And he's even toned down some of his guaranteed stop-down habits over the past couple of years.  But this one  .  .  .  .   he just can't quit Doocy.  I've noted his unslakable schoolgirlish crush on Doocy in the past as evidenced by his constant schoolboyish teasing. (Gordon mentioned my observation on the air one day, although without attribution.)  

Apparently the same team ran the Muser show on Thursday, so perhaps my being away paid some dividends after all.

Mike and Gordon Return from a Certain Mountain
(taken without permission from The UnTicket, at this posting)
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Hey, Confessors, great comments while I was away.  My thanks for your careful stewardship of this site.

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Saturday, March 10, 2012

OPEN THREAD: The Ticket Talks Politics

Confessors, I'm going to be away from the channel and with zero time for most of the next week.  Got some savory items lined up, I think, but they'll have to wait.   Wait at least a week before scolding me for not providing new content.

In the meantime: 

What's your reaction when any of the shows talk politics?  Not just politics, but current events generally.   I'm less concerned about pop culture -- after all, The Ticket is pop culture -- but about the Larger Issues of Our Time.

President Lincoln Checks Out BaD Radio's Reviews
of His Second Inaugural Address
I have on my list to write about the public-events talk of one Ticketarian in particular, but I'm going to hold onto that. 

All I'll say is -- and this has nothing to do with left/right, old/young, Democrat/Republican, Old School/New School, what I believe/what wrong people believe -- half or more of the time, I cringe.  My punch-out finger usually goes at least halfway to the Philco while I decide whether to take the opportunity to scan the sports-radio horizon.   This isn't a matter of a host's "right" to express his views.  Of course he has the right to his beliefs and to express them.  I'm talking about whether it's good radio, whether it portrays Our Weekday Heroes in a positive light.

======

ALSO:  Since I won't be around to call attention to particular broadcast items of note, please use this string to do so.  Please report on good stuff as well as stuff like -- well, you know, the usual stuff we gripe about.   All threads on this site are always open for everything, so have at it.  My thanks.

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Monday, March 5, 2012

A Fairly Non-S STD, Followed by a Blazing HSO

The Non-S STD* is this:

The Musers to a smallish extent, and The Hardline, especially Corby, to a much larger extent (or, as Corby might put it, to the largest extent I have ever, ever seen in the history of time), expressed the view that the revelation that the Saints were paying players for inflicting hard hits, more for injuries, more for stretcher casualties, is not such a big deal.  Something that, apparently, everyone knew or must have known or probably knew, and it happens all the time, and across the league.

I'd never before heard that any team, much less many teams, compensated players for causing injury.  I certainly never heard it on The Ticket.  I'm wondering then, why it is such a gigantic story now, and why those who are shrugging their shoulders over it happening on The Little One have never let us in on it.  I'm not saying Corby or anyone else had knowledge of Greg Williams's actions or should have been compelled to report on particular verified instances of pay-for-injury -- I'm saying that if the general practice were widespread and known or even reasonably believed by Our Heroes, they might have opined on it somewhere along the line.

Conclusion:  This may be an instance of ubercoolness by those Heroes of ours, not wanting to seem shocked by the things that are shocking to Those of Us Not in The Know.

If not:  What other amazingly scandalous but unreported things about sports do you suspect that you're not telling us?

*For new Confessors:  STD = Scorching Ticket Disquisition

*******************

The blazing HSO is this:

The intentional causing of injury to another is a crime.  Not just hard hits during a sporting event, but any kind of battery with the intent to injure.  Intent being the difference between a crime and injury inflicted in the normal course.

I know Roger Goodell is going to come down on the Saints and maybe other of Williams's stops like a ton of bricks, and that's fine, I hope the Saints and responsible persons, including Sean Payton, get flayed, and where I don't have a dog in the hunt I sentimentally root for the Saints.

Wikipedia reports that since 1969, there have been 12 instances of criminal prosecution for injuries intentionally inflicted during hockey games, almost all of them in Canada.  Many if not most of them resulted in acquittals or minor punishment.  I'm suspecting that this is because in many cases, the difficulty in proving intent is key, and there may even be some instances of provocation by the injured.   And fighting is an expected commonplace in the NHL

What is being charged now in the NFL goes way beyond this.   This isn't "heat of battle" violence, this isn't injuries inflicted during a donnybrook, this is premeditated battery.  The scheme of promising in advance to pay for it on completion makes it particularly heinous, just as murder for hire is always first-degree murder -- not just manslaughter. 

I'm not a criminal lawyer or expert on the topic, but it's my impression that there are two things that make crimes hard to charge and prove, other than the actual commission of the mayhem in question:  the difficulty of proving intent, and the reasonable doubt standard.  It's what kept guys like Jack Tatum and Conrad Dobler out of prison. 

But if today's accounts are to be credited, both intent and proof beyond a reasonable doubt would be a cinch in this case.

And to this, you can add the additional aggravating circumstances of conspiracy. 

Sporting fields, and the games held there, are not beyond the jurisdiction of civil authority.

So if I were District Attorney Leon A. Cannizzaro, District Attorney for Orleans Parish -- and, I suppose, if I didn't care about being re-elected -- I'd be seeking indictments against some coaches and players and coaches, and putting some of them the hell away.

Dinner is served. 


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Saturday, March 3, 2012

A Few Quick, and Pretty Weak, Hits

Owe the Confessors an apology -- the last few articles have been pretty lame.  Excuse:  Time, haven't got it for the more provocative and interesting pieces, but trying to get up some new content for the increasing number of MTC addicts.  (Whenever I'm off for a few days, they let me hear from them.)   Got some OK topics coming up, but for now, here's some fairly lightweight observations:

(1)  Latest punch-out:  Gingerbread man commercial.  I don't even know who it's for.

(2)  Hitched up the Conestoga around 1 pm Friday, fired up the Philco, and when the sports talk came on, after a few seconds I said to myself:  "What's Corby doing on the air middays?" 

Of course, it wasn't middays and, shockingly, it wasn't even The Ticket.  It was The Fan.  (I must have punched over during a gingerbread man commercial before exiting the wagon the last time.) 

And, of course, it wasn't Corby.  But it was a guy who sounded just like him.  He talked a little faster and he wasn't offering Corby's more reptilian content, but the timbre and even the little break in the voice was startlingly Corbylike.  It was him and another guy, neither of whom I recognized, and neither of whom was Mark Elfenbein.  I tried to hear them call one another a name, and the only thing I came up with is that the Corby-guy might possibly have been named Kevin. 

(3)  All right, this one's way, way out there. 

You know that ad for Bar & Book at Lone Star Park in the form of a news report where all of the anchors and the chick on the scene are astounded that wagering might be taking place there?  (The one where the chick says "Uh, I don't have the angle" and they end up calling the lawyer who says that betting at Bar & Book is AOK and probably fun, too.) 

I was listening to Alexis doing a traffic report and I was startled at some vowel-consonant combination of one kind or another and I thought -- where have I heard that funky sound before?  And I realized it was the Lone Star Park reporter chick.  Now I know, I know that Alexis's traffic reports don't sound like the reporter chick, but if Alexis hammed it up for a voiceover, maybe? 

And anyway, it gives me an excuse to run a picutre of Alexis, which is always good for some Google image-search hits.



Hope to have something better for you soon.  Not better than Alexis, just better MTC content.

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Thursday, March 1, 2012

Random, and Very Quick, Hits

(1)  Mark Cuban owes The Ticket, and particularly Craig, an apology.  The Ticket guys were saying what everyone else was seeing, which was that Lamar Odom was a discontented bust.  Right around the time of a Guys' Night Out in Frisco, Cuban gave an interview talking about what "idiots" the Ticket guys were, and singled out Junior as the "biggest" idiot.  Well, Lamar Odom is a discontented bust and Mark Cuban should man up and admit it.

(2) There seems to be a lot more hockey talk these days on non-BaD radio.  Yeah, I know the station broadcasts the games, but other than BaD, until recently the station ignored the Stars to the extent possible.  Somehow The Hardline was coerced into interviewing new owner Tom Gaglardi.   The Musers this morning did a rapturous segment on last night's losing effort (shootout).   Maybe it's because the Stars have crept into the decidedly non-elite playoff-eligible club.  Anyway, it seems there is suddenly more enthusiasm for the sport among showgrams that haven't touched it in the past.

(3) Listen up:  I thought Gordon's Joe Odom (Lamar's pop), yesterday's 8:40 bit and today's 6:40 repeat, was absolutely hilarious.  Funniest thing I've heard on the station in awhile.  Amazing vocal transformation.   Didn't find it offensive or racist.  But I was thinking:  OK, this bit plainly calls on stereotypes of older, possibly unemployed black men.  The accent; the language; the topics (gambling, smokes, women).  Is this the sort of thing that people who accuse The Ticket of racism are referring to?  As I say, I thought it was a fair bit, but it was pretty ethnic stuff.

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Sunday, February 26, 2012

From a Copyrighted Story from Saturday's Dallas News . . . .

So sue me.

Some interesting numbers from the last ratings book.

Ticket wins.  Despite disappearing from the ratings world for a few days there.

Prize demo, 25-54 males, 6 a.m.-7 p.m.:

    Ticket:  6.0
    ESPN:  3.3
    Fan:  3.1

Same demo, 6 a.m. to midnight:

    Ticket:  4.6
    Fan:  3.3
    ESPN:  2.9

All demos:

    Ticket:  2.1
    Fan:  2.0
    ESPN:  1.5

Prize demo, drive:

    Hardline:  8.2
    Galloway:  5.0
    RaGE:  2.2

(Separate Norm, BaD, and Muser numbers not reported in the article.)

Fun fact:  Lewin/Elfenbein was the only Fan show to beat ESPN in every hour, not sure if this was prize demo or across the board. 

I was slightly surprised in the categories where ESPN beat The Fan.  I don't follow the ratings very closely, but my guess would have been that The Fan would have nosed out ESPN across the board, and I sure would have expected RaGE to do a lot better against Galloway. 

(By the way, I was speaking with a very astute guy in the heart of the prize demo the other day, a long time P1 (although not a fanatic), and he told me that he's drifted away from The Hardline.  He doesn't object to particular content; he just said that when he would tune into The Hardline, it was "just all over the place."  He said he was thinking Greggo was sounding pretty good these days.   Dunno -- I haven't punched over to The Fan for awhile.)

Got nothing profound to say here.  Just passing it along. 

Thanks to a couple of readers for good email topics, at least one of which I'll try to get to shortly.

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Friday, February 24, 2012

A Question for Junior

I was fascinated by Junior's "neighbor talk" last week.  He has an across-the-street neighbor lady who will not return his hearty waves and greetings, hundreds of efforts at neighborly reaching-out completely snubbed by this woman.  Gordon reported a similar experience with a next-door neighbor.

Both Craig and Gordon professed utter incomprehension at this treatment.  Was it something they did?  Junior asked the group whether he should confront this woman personally to find out what her problem is. The sense of the showgram was that he should not waste his time.

What surprised me about this discussion was that no one considered whether the neighbor's attitude might have had anything whatsoever to do with the fact that Junior/Gordon work at The Ticket.  Not everyone in the Metro would recognize a Ticket host, but I'll bet the neighbors of each of them know who they are.  [SEE CORRECTION -- FIRST COMMENTER BELOW.]

And some people just don't like The Ticket.  Some people, in fact, dislike The Ticket a lot.

Sometimes some of you guys take me to task for my complaints about Ticket vulgarity and its attitude toward women. In fact, I seldom mind it very much, but among people who don't like The Ticket, a substantial percentage of them object to that aspect of its broadcast ethos.   In other words, among people who don't like The Ticket, a lot of them dislike it for reasons that relate to issues about which people are culturally sensitive and highly judgmental.   Although Junior is by no means the chief practitioner of the racy arts, perhaps his neighbor is tarring him with that brush. 

Here is my question for Junior:  Is your unfriendly neighbor a churchgoer?  OK, hold on:  One does not need to be a Christian in order to dislike The Ticket, of course, nor does being a Christian disqualify anyone from being a P1. However, among people who object to The Ticket on broadcast-standards grounds, I would think that a fairish percentage of them are churchy types who might well believe The Ticket to be at the vanguard of the decline in public and private morality and civility, the home of broadcast profanity and lewdness.  They see it as a symbol of what has gone wrong with America.  If the answer to my question is "yes," you might be on the road to an answer as to why your neighbor has no interest in brightening your day. 






Um  .  .  .  of course I have absolutely no idea what Craig's neighbor has against him.  Maybe she thinks his bike shorts are too revealing.  In any event, I was surprised that neither Craig nor Gordon ascribed any significance to their own prominence, and what it might mean to people they encounter from day to day.

Don't laugh, and don't scoff.   (Well, of course you can laugh and scoff, and feel free to do so in the comments.)   But it would not shock me in the slightest if Junior's and Gordon's neighbors not only have  no objection to how they keep their yards, but believe that they're actually bringing down property values.

Wednesday, February 22, 2012

We Are Delighted to Welcome a Very New Confessor

Everyone knows Confessor and frequent commenter Jonaessa, MTC's li'l sister.  We haven't heard from her recently for the best of reasons:  She writes to advise that she gave birth to a baby -- don't know if it her first -- last month. 

True to her anonymous code, she provides no details on the infant's gender, weight, length, or name.  However, in her note she does write:

"I have come to think of MTC as a cyberspace family, an extension of the familiarity I think we all feel after years of listening to the guys on the Ticket.  Just as we develop a rapport with these on-air personalities by listening to them every day, I've come to develop a rapport with these bloggers and commenters."

Isn't that nice?  Please join me in congratulating Jonaessa on this exciting time for her and her family.  She writes that she's been unavoidably away from the channel the last few months but will be back soon listening to The Ticket and giving us more of her best.

Sunday, February 19, 2012

My Visit to TicketStock 2012

At great risk to my employment, I contrived to be in the vicinity of Irving, Texas on Friday afternoon (all right -- I ditched the gig entirely, if you want to know the truth), and visited TicketStock.

It was very enjoyable and even impressive.  I commend it to the Confessor Nation when it next rolls around.  Very nice job by the organizers.  I was only able to attend for couple of hours, so no TimeWasters, no LT.

Here are some photos and impressions.

Parking:  I was there pretty early and the indoor parking was almost full.  I got a spot on the upper level of the parking structure.  I'm not sure where everyone else was going to park.  However, there were stewards on hand at the various drive-in entrances and it seemed like they were ready for a crowd.  Do not be alarmed by the line of people standing circling the Irving Convention Center -- they were waiting for the box office to open to sell tickets for some other event.

First, I was welcomed by a parking-garage elevator that made it clear that one need not be a P1 to attend, but that listeners exhibiting all levels of Ticket devotion are welcome:


Visitors are welcomed by comely TicketChicks decidedly non-TicketChick attire:


I will have more to say about TicketChicks below.

There was one very offbeat note to the whole thing, and that is that the proceedings seemed to have a Mardi Gras theme, which I do not recall from any of the promotions on the station.  You'll be able to see this more clearly in the photos below.  This is why, for example, the TicketChicks were attired in semi-harlequin attire and not the usual t-shirt and shorts.  I must say, the outfits were quite flattering, although I don't believe there was anything on them that said "Ticket."  In fact, I did not enter from the entrance you see above, and it took me awhile to figure out that said chicks were, in fact, TicketChicks.  There were beads and Mardi Gras-flavored stuff all over the place. 

Overall, the gestalt was very positive.  Lots of smiles, no hassles, just a buncha guys having a pretty good time.  The attendees were overwhelmingly male,  no shock there.  I had imagined that it would consist largely of vendors and sponsors lined up in rows with their booths, with some activities and major-sponsor megaexhibits thrown in, and and that is exactly what I found.

The broadcast was as you have seen in online photos in the past, the participants in easy chairs on an elevated stage.  The sound was good.   It does, however, give you some appreciation for the virtues of individual mic modulation -- Dan's voice was way, way too loud through no fault of his own, painfully so, and others blessed with less natural projection (Donovan) could be a bit hard to make out.    If you wanted to listen to the broadcast, however, you could do so without much trouble.  Note the Mardi Gras mask of comedy overseeing the proceedings.   Please also note the spare-no-expense security barricades set up to prevent overenthusiastic P1's from rushing the stage. 

T.C., Donovan (pending down), Mike (partly hidden), Dan, Bob, and Corby
The bleachers were pretty full, but when I was there you could find a seat if you wanted to sit down.  There were also some Southwest Airlines seats scattered around that you could sit in, and some people brought their own chairs, including the guys who brought their Ty Walker posters exhibiting their guesses as to what porn star's birthday he would be promoting that day, and which cinematic selections from her oeuvre Ty would select (they got the porn star right, but only guessed one of three of her films).   Note pretend Southwest Jet in the background:


Here is the guy in the bleachers the hosts nominated as the most likely to have done time:


Here's the Hardline interviewing Sean Lee:


Other than Southwest Airlines, the main sponsor who had a large exhibit, the largest footprints were left by the Cowboys:



And Bud Light, who had a very cool mobile saloon set up:


Those interested in a less, uh, promotional beer acquisition experience could easily access a purveyor of those certain beverages:



Food was available at prices that Jerry Jones wouldn't even recognize as conceivable at Cowboys Stadium:



Occasionally one would have to cut through lines of folks waiting for autographs:



The half-court basketball setup was pretty nice.  Obviously the big crowds had not arrived yet, but when I was there one could grab a ball and try some three-pointers or maybe even scare up a pickup game.  People lined up for autographs had to be vigilant else they might be bonked on the gourd by a shot missing the backboard:


But I must tell you that the most fun I had was visiting with some of the sponsors and other vendors who had exhibits.   Oddly, the Ticket booth, where I believe you could get a free T-shirt and chat with a Ticket Chick or two, was almost always deserted:


And United Rentals either failed to pay their fee, or successfully rented all of their stuff in the few hours since TS opened its doors:


If the Ticket sales staff wants to use this site as a reference for future sales calls they're welcome to do so, because I spoke with a couple of vendors who were not even Ticket on-air sponsors but reported a positive response to their attendance at TicketStock.  One was an enthusiastic young woman who worked for a company called Daylight Rangers, who described the benefits of solar cooling and a product that conducted sunlight from the roof down into the house using highly-reflective tubing from a company called Solatube.  They are not Ticket sponsors, but she reported positive results from their attendance at past TicketStocks in terms of leads and referrals.  (If anyone asked why I wanted a photo, I always told them that I had a Ticket website and was just resporting on the proceedings.  I did not reveal my name or the website, but would have given the latter had there been any interest.)   She was a little suspicious of me when I asked permission to take a picture, so her condition was that she would be seen to be checking some documents.  If you are a Daylight Ranger supervisor, I can report that she is an excellent representative of your company:


I also had a nice chat with a woman who owned a company called Cigars A Go Go, a start-up that will bring a mobile cigar bar to your golf outing, party, or other event.  I bought some handsome stogies which I unaccountably left at one of my photographic destinations, so I hope who ever picked them up is enjoying them:



Dr. True's assistant told me about his weight-loss and male-re-invigorating practice, one of at least three that were present:


There were two notable absences:  Sweet Jack, whose 1-foot-3 presence was nowhere to be seen, and All-Pro Foundation Repair.  However,the MTC-endorsed Structured Foundation Repair did pop for a booth, although it was somewhat forlornly situated outside of the mainstream.  I failed to think of a conversational gambit that would persuade the two chaps manning the booth that I was interested in foundation repair, and they were eyeing me suspiciously as I strolled near their booth with my Droid deciding whether to snap their picture.  

I opted to wait until next year to engage them, and hit the Hooters booth, where I failed to "win a surprise" by draining a toy basket with a toy basketball.  I never found out what the surprise was, but I did get a coupon.  Unaccountably, I failed to get a picture of the two alluring young Hootettes manning the booth.

Which brings us to the Ticket Chicks.

In the tireless service of the Confessor Nation I have now been to a few Ticket remotes.  The TicketChicks have ranged from surly to cheerful, and most seem extremely young.  Not a thing in the world wrong with that from Your Plainsman's point of view, but the crew at TicketStock was another batch entirely, or so it appeared to me (I would not be able to identifiy an Official TicketChick on sight in any event.)    The word that first came to mind was "fetching," which I realized was not the right word to use in the wake of Ms. Houston's passing.

I mentioned the Mardi Gras theme.  There was an area that was decked out in Mardi Gras regalia where one could always find two or three TicketChicks hanging out on a couch and where the occasional guy would stop by to chat or have his picture taken.  The TicketChicks were always gracious and happy to oblige.  This stalwart P1 just wanted some conversation:


I stopped by and asked what this thing was, and the TicketChicks told me it was pretty much just for guys who wanted to have their pictures taken with TicketChicks.  I must say, the TicketChick contingent when I was there was very impressive, and, more to the point, they were approachable and friendly and doing exactly what it was they were being paid to do:   Indulge the male's infinite capacity for self-deception.  Your Plainsman, a rough-hewn man of the frontier, is not exactly the type that is going to turn the head of your average attractive woman in her late teens or early twenties, and he is deeply in love with Mrs. Plainsman, who might someday read these words, but I cannot deny that these chicks were worth whatever Cumulus had bargained them down to.  A trio posed for me:


I have on my list to do a TicketChick article sometime when I had more material.  I have always harbored the suspicion that there are really only a very few official TicketChicks, and that The Ticket hires very young aspiring models or actresses from agencies on a strictly ad-hoc basis.  I mean, if you go to the TicketChick site on http://www.theticket.com/, as all P1's do at one time or another, you will find that it is perpetually under construction, featuring photos of young women you have probably never seen at a Ticket event.  No matter.  These TicketStock Ad Hoc TicketChicks were great, a real credit to the proceedings, and probably prolonged my stay at the Irving Convention Center by a good half-hour.

Well, that's it, Confessors.  I had a good time.  I'll try to make it again next year, perhaps with a more focused reportorial agenda.  In the meantime, my thanks to the CTO for making it worthwhile to drive to Irving.

Your TicketStock impressions?

Friday, February 17, 2012

@That Nice Young Michael Gruber

Michael,

My policy is to honor the confidentiality of anyone who emails to me, but since your email was simply a nice one-line invitation to attend TicketStock, I didn't think you would mind if I answered you personally.



It had been my plan to attend either later today or sometime tomorrow.  However, the press of business, Mrs. Plainsman having something annoying for me to do, or the possibility of being in France, means that it is looking unlikely.  But thanks anyway.

And I must say:  Attending Ticket events always presents me with a dilemma.  Like any P1, I'd find it delightful to meet any of the guys whose talent I enjoy and admire so much. 

But I'm wondering if My Ticket Confession hasn't become something of a harsh mistress.  I claim -- some would say "pretend" -- that MTC is Your Source for Responsible Ticket Journalism, which suggests the need to maintain some observational distance from Ticket personalities so that I may continue fearlessly to comment objectively on their broadcast comings and goings.  Of course, a handshake and "keep up the good work" probably wouldn't impeach the site's credibility all that much. 

If "credibility" is something it possesses to begin with. 

So I dunno.  I'm conflicted about introducing myself.

But one thing I'm not conflicted about is that  OPEN THREAD on TicketStock starts NOW.  This year or any.  Email photos, please.

*     *     *

Follow Your Plainsman on Twitter:  @Plainsman1310
Email Your Plainsman:  ThePlainsman1310@gmail.com

Tuesday, February 14, 2012

The Nation Is Restless

Holy crud-o-mighty, 80 comments to the last thread.  Record hits.   Some great comments, and some fine newcomers.  Can't tell you how grateful I am for all of your comments, expertise, and thoughtfulness.

But some in the Confessor Nation are unhappy with me for not providing fresh MTC fodder. (At least one is unhappy with the whole concept of a Confessor Nation.) 

It's true.  I'm sorry about that.  I've been out of town, tied up with family stuff, working on work stuff, not feeling tippy-top.  Jeebus, I've had GOUT.  Guys in my demo and physical condition are not supposed to get gout.  Like something out of an old New Yorker cartoon.

When I hear something that I think might make an interesting article, I write it down on a list.  My list is now six typed pages long.

The problem is that there is usually something of current interest, or something that the Nation has gotten excited about.   Stuff of interest to write about.   Which means that all those interesting topics recede into the past and get stale.  I mean, who wants to read about T.C.'s big prank, asking hosts to provide bit topics for him in late night calls?  Matt McClearin's account of alien encounter is deep in the past.  Interested in my latest thoughts on Gum Out ads?    I didn't think so.  If you want me to dip into the stale topic archives, let me know.

Now, as it happens, some of the topics on my list would still work.  Not as exciting as the recent tech flameout, but they'd do.    And I've got a Hot Sports Opinion in the oven that, unfortunately for you, is actually about sports.  I'm going to try to get to TicketStock next week for an on-scene report.  But tonight -- none of it looks like much fun to me after the recent behind-the-scenes drama.



So I thought I'd take this opportunity to find out if you sometime get the same feeling that I do.

I've been unavoidably away from the channel, and I don't have a lot of time to go back and check out what The UnTicket has selected for us.

And, as has happened from time to time in the past, I found out that I didn't miss it all that much.  Sometimes I can't wait to get back to the Ticket-listening routine; sometimes, takes me a day or two to get back into the habit. 

It has nothing to do with The Ticket itself.  I listen to the showgrams, they're perfectly fine, no one boring me, no one making me angry, no one being a jerk.  The SweetJack commercials are even starting to recede into the overall commercial noise.  I just sort of  .  .  .  forget.  I got to work this morning, realized about a half-hour later that I'd forgotten to switch the Musers on.  3:30 rolls around, I can usually spin The Hardline and do so nearly every day possible -- again, just kind of passed me by.

So sometimes, for reasons having nothing to do with any deficiencies coming out of the speakers, I take a break from The Ticket.   Sometimes I check out the competition, see if there are any topics popping up there, but it's usually so unlistenable that I switch the Philco over to KNTU 88.1 or some Real Jazz or Little Steven's Underground Garage or Deep Tracks on Sirius XM.  But usually back to The Little One.

Oh, I'll be back with an HSO pretty soon, and, shortly thereafter, I hope, with an STD.

Ever take a break from The Ticket?  And if you do, how do you spend that listening time?

And if that doesn't interest you -- the topic list is always wide open at MTC.

*     *     *

Follow Your Plainsman on Twitter:  @Plainsman1310
Email Your Plainsman:  ThePlainsman1310@gmail.com

Monday, February 6, 2012

RIPPED FROM TODAY'S TICKET HEADLINES: Musing, Not So Gently

Already had three comments on the last article, and I'm pleased to see one of them was AP, so we'll be hearing what I'm about to write about on The UnTicket:

1310AM  and The Stream went dark early early this morning, and Those Who Muse So Gently were not happy about it.  I haven't heard all of the on-air references to Cumulus technical incompetence over the past few weeks, but this one was a sizzler.

In fact, it sounded like it was Ripped from My Ticket Confession.  Junior spoke eloquently about signal swapping, and how a competing station was getting two powerful signals, and The Ticket was supposed to stay number one against that with their two cruddy signals, which are only intermittently on the air.  Longtime Confessors will reall that this site has been howling about signal swap almost since it began.

There was mention made of bolting The Ticket.  I'll come back to this.

And then George -- of all people, George -- singled out a particular individual, although no names were used.  He said to this person -- SHOCKING! -- "You stink." Later on, he graduated to "You suck!"  I don't know which of the three called him an "idiot."  I don't know who this knucklehead is, but it's someone who has had some hegemony over The Ticket, or perhaps Ticket technical matters, only in the past year -- and reference was made to this person screwing up last year's Super Bowl broadcasting.  (Perhaps it's this Brett Blankenship guy.)  They even suggested that this "idiot" was protected by some higher-ups for some reason. 

It was the most angry I have ever heard a Ticket host, including Mike R.

Oh, yeah, and right after this rant, some broadcast from an entirely different station cut into an advertisement, and we all had to be puzzled by this for a little while.  (It did not sound like sports-talk to me -- it sounded like it might have been WBAP.) 

As usual, The Musers had the courage to make a gag out of it -- saying that they felt safe in ripping management because they weren't on the air anyway. 

Hey, a SweetJack commercial!!

A commenter has expressed the view that a Muser will be leaving the showgram sometime in the coming year.  That would not shock me.  It also would not shock me if The Musers have a plan to leave the station entirely sometime in the future, as a group, as their contracts expire.   Unlike Mike and Corby, they started with their show at the same time, did they not?  Which would mean that their contracts all might expire at the same time.  They would have to wait out their noncompetes, if they even have noncompetes, and they would wait for all three of them to get clear of their employment contracts, and then they'd all re-assemble at a competitor. 

I'm sure that all the hosts feel a strong attachment to The Ticket and an emotional connection and commtiment to their colleagues.  But Cumulus has not shown either respect or support to them in recent years.  It was either Junior or Gordon who said it this morning, and once again I don't have the exact words, but it was to the effect that Cumulus's serial screwups, invisible promotional support, and inattention to the signal are going to come home to roost, the implication being that these deficiencies would result in an outflow of broadcast talent.

Frankly  .  .  .  wouldn't break my heart.

Would I have to change the name of this site? 

I dunno, the CTO seems to think that "The Soul Patch" still makes sense for a coupla really white guys.

Quick question:  Is there any media reportage in either of the major area newspapers?  Is anyone else writing about this?

I won't be able to listen much today.  Please let us know what you hear.

Saturday, February 4, 2012

I've Had a Vision

As the last commenter pointed out, it's February.

Mike Rhyner contract time.

Or is it?

You can say what you want about Richie Whitt, but, unlike Your Plainsman, he had sources.  So when Mike and Corby signed their deals, he knew about it and reported on it and got some quotes.

Me -- as they say on The Hardline -- not so much.

So we heard Mike speculating on the conclusion of his tenure at The Ticket at the campout on Lake Mingus last spring, mentioning February, what I speculated was the end of his contract.  So I've had some fun the past couple of months with speculations, guessing, predictions, and, of course, our valuable advice to the CTO.

And then, listening to The Hardline a month or two back, right around the time I was finishing up the last of the four pieces, I heard something.

I was in the Conestoga at the time wrestling with some recalcitrant horsies, so I couldn't write anything down and by now, I've forgotten exactly what I heard, forgotten the words.  I should have written about this awhile ago but thought I would save it up.  The problem with that, of course, is that memory fades.

So this will be a little frustrating for me to relate and for you to read, but as I had the Philco struggling to pull in 1310 AM while I was gee-hawing the horsies, I heard Mike talking.

And he said something.

I can't remember the words, but I remember the sound of his voice.  It was like he temporarily forgot he was broadcasting, he kind of sighed and said something kind of -- I don't know, sentimental, suggestive, relieved -- didn't sound like Mike.

And then it struck me.

That son-of-a-buck signed his contract months ago.

I should have figured it out sooner.

Look, if the guy was getting all morose about staying at the Ticket early in 2011, then he was probably already talking turkey with the CTO.  It was going to get done sooner than 10 months later.  I think it did.

And no Richie Whitt to tell us about it.

So how can we get this confirmed or denied?  I have two strategies.

The first was inspired by a discussion on the Musers, I believe it was, talking about how gossip-mongers and website sensationalists drive traffic, by making an outrageous assertion that no one bothers to deny, but by denying that the reporter himself actually believes it they halfway protect themselves.  I'm going to give it a slight grammatical twist.

So I am here to report that:

I'm not saying I have any proof of this, and it could possibly be false, but:  (1) Mike Rhyner was born as a female, or (2) he signed a new contract with The Ticket/Cumulus sometime in mid-to-late 2011.


This can only be denied if both parts of it are false.  So if this statement is denied by someone with knowledge, then Mike did not sign a contract some time ago.  If someone in authority says it is true, then we are left to imagine which half is true (because the statement is true if either part is), and the unlikelihood of (1) will suggest to us that (2) is true.

Of course, if no one says anything, then we're back where we started.

Which leads me to my second strategy:

Begging:

Hey, Jeff and Mike:  How about a scoop for the Confessor Nation?  Come on, I know we take our shots from time to time but I think you have to admit that both this site and the Confessor Nation are positive about The Ticket and even finds some nice things to say about the CTO from time to time.  Even when we're critical, we make every effort to be fair and keep things civil.  How many times do you get a chance to do a solid for Your Home for Responsible Ticket Journalism?  Drop me a line at ThePlainsman1310@gmail.com.   No details, just the broad outlines of the deal.  Aw, come on, how's about it?   


I'll let you know if I hear anything.

I don't know if he's an Old Grey Wolf.  But I'm pretty sure he's at least an Old Grey Fox.

Old Grey Fox -- I swear, I did not Photoshop this

Follow Your Plainsman on Twitter:  @Plainsman1310
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Tuesday, January 31, 2012

DUAL OPEN THREAD: (1) Transition Fail, and (2) Super Bowl Quick HIts

Really gotta thank the faithful Confessors who have kept us up to date on the latest tension over the continued technical problems related to the transition to Victory Park, or perhaps Victory Plaza.  I've been so busy out on the plains that I haven't had time to listen much, much less to write.

Please post any further information re Transition Fail (or Transition Improvement -- the watchword here is fairness) and any thoughts you have on the week in Indianapolis. 

No Top Ten tonight (Rotten Radio instead); listening between the lines I gathered from Jake's narration that this was also the result of a technical fubar.

Again, my hearty thanks and welcome to all new Confessors and commenters.

Monday, January 30, 2012

Enough, and My Solution

I thought the SweetJack plague was over. 

I was wrong.

It's back, worse than ever.  It's saturating the Ticket airwaves this morning.

Isn't The Ticket selling any real advertising?

Talk about disrespect (as I did at the end of the prior article and a subsequent comment) -- Cumulus knows how much the P1 hates this bilge, and they stuff it through our earholes anyway.

I'd like your ideas on what we can do about this.  Or maybe you don't care, which is OK.

Here's what I'm going to do.

I'm going to join SweetJack.  And I'm going to boycott any sponsor who has given Jack some bargains to put in my inbox.  And I am going to send this column to that sponsor.  Your ideas welcome.

Enough of this crap.

Saturday, January 28, 2012

This Started Out as a Comment to the Last Article, but It Kinda Grew Into an Unusually STD

(For new readers:  STD = Scorching Ticket Disquisition.) 

A couple of Confessors have chided the hosts for their continued griping about the ongoing technical problems in the move to Victory Park.   I haven't found the griping all that off-putting, but maybe my listening has been a little spotty.  I do find it amazing, and appalling, that Cumulus wasn't prepared for this move. 

Although they portray regular guys on the radio (and mostly are), the hosts and producers and board guys are top professionals.  Extremely talented and skilled.  Their employer has given them faulty tools and is taking a bloody long time to fix them.  Can't blame them for being upset.

I try to put myself in their place, and when I do this is how it dopes out:

The Ticket is a unique institution.  It's "The LITTLE Ticket," as Mike R says,  because of its undesirable dial location and miserable signal and zero promotion to the public beyond people who already listen.  It portrays itself as an underdog but it's a spunky little thing.  It beats the big guys because of of its intelligence and fleet-footedness and style.

But these ongoing (and, it seems, worsening) problems make The Ticket look like something it has never looked like before: 

Dumb.  Foolish and unprepared.  Technically deficient. 

I know this is Corbyesque hyperbole, but:   The incompetence displayed is tarnishing the brand.  The Ticket looks silly, vulnerable.

And the hosts do not want to look like this, especially since they're helpless to do anything about it.  So they're mad and trying to provoke some urgency by embarrassing the responsible persons into getting things fixed.  I'm OK with that.

I know the Victory Park stuff is new.  I know it's complex.  But the magnitude and frequency of the failures this week should be unacceptable to responsible managers.  Did Cumulus not know that it was going to be new and complex well over a year ago when they announced this move?   Some CTO, frankly, has been asleep at the switch.  This is not primarily a cable-hookup-guy problem -- this is a move that has been ill-managed at a higher level probably through failure to devote sufficient resources, or sufficient expertise, in sufficient concentration to the move, or a strategy that neglects to, you know, TEST THE FRACKIN' STUFF OFF-HOURS BEFORE YOU DUMP IT ON THE PUBLIC. 

Maybe they think the rough-and-tumble 25-54 male won't care, long as he gets his bits and drops and Alexis saying "stick it up your tailpipe."

Yeah, it'll get better.  But in the meantime:  Frankly, Confessors, I'm beginning to feel a little bit disrespected.

Friday, January 27, 2012

I'm a Guy. It Was Night. I Went Out.

Hitched up the team and headed north to far Frisco to visit Guys' Night Out.  A few quick hits:

(1)  Sharp-Dressed Men.  Bob and Donovan in ties, Bob with a suit coat, Donovan in a vest.  At first I thought -- nice show of respect to the P1.  Then I thought -- maybe they lost one of those BaD Radio bets to Dan somewhere along the line.

(2)  Better-Looking in Person.  Bob.

(3)  Largest Concentration of Middle-Aged Guys.  The broadcast area.  There were some younger guys crowded around watching and listening to the presentations, but the more mature demo was disproportionately represented in the gathering around the couches and directors' chairs where the guys were broadcasting.

(4) Auddest Audio Phenomenon.  While Donovan could be heard just fine on the radio, his voice barely dribbled out of the speakers at the bar.  Something about it -- it simply couldn't be heard live on the scene, but listening on the radio -- there he was, as usual.

(5)  Audio Engineering Tip.  Do not cover up the JBL speaker with the life-size cutout of the Cowboy player.

(6)  Worst Look for Cute Chicks.  That black two-piece Tailgaters outfit they make their generally attractive wait staff wear, the super-tight/short black skirt and black sports-bra top thing.  Really cheap-looking and unflattering on most of them.  Very few even hot girls have good tummies.  Even though it was the first night, bar staff seemed on the ball and the place was ready to go.

(7)  Funniest Moment.  The interview of the 38-year-old-woman with the good skin and large natural breasts who claims to have made upper-six-figures in Las Vegas and a four-figure tip from some unidentified celebrity, which explains why she moved to Frisco to work at Tailgaters.

(8)  Most Interesting Broadcast Posture.  Mike likes to stand at these remotes.  I was at one other one awhile back where he stood and swayed and wandered a bit whilst broadcasting.  Wonder if he does that in the studio.

(9)  Comportment.  I didn't see any host big-timing anyone.  But I wasn't paying close attention to where they wandered off to when they weren't broadcasting.  Saw George talking to a group of P1's, and Mike talking to an earnest woman.

(10)  Always Amazed.  These guys can talk sports and other stuff in their usual natural way whilst being watched by large groups of people and lots of noise in the background.

(11)  Best Thing About GNO.  No SweetJack commercials.

Tuesday, January 24, 2012

Inaugural Victory Park Quick Hits

Got to hear some of The Musers and The Hardline.  Check out AP's knowledgeable comments a couple of posts back for some good inside stuff.  I'm pressed for time today, but here goes:

(1)  We've had some fun with real real audio the past couple of days with all the problems, so maybe the abysmal preparation for this move is worth it in a kind of pathetic way.  But this move was announced in November of 2010.  You can build an entire radio station in that interval.  I'm sure broadcasting and all that goes with it (making new machinery work, transferring information from one system to another) is complex and, since the move has to be instantaneous, there are bound to be disconnects.  And they're moving multiple stations into the suite.  But Cumulus is a big bad broadcasting boy with lots of resources and professionals at its beck and call.  It's inexcusable to have a transition that sounds like it was managed by Jerry Jones.

Having said that, the actual sound problems were probably noticeable only if you were really listening for them.  I'm kind of a radio junque, so I was.  I would guess that a lot of listeners, especially on 1310, didn't hear much different about the physical sound of the station.

Damaged in the move
(2)  Speaking of Jerry Jones:  This move could be a bad one for one Mr. Gordon Keith.  Part of what makes his impressions so effective is that they are delivered over a phone line, where some of the Gordon-ness of his voice is masked.  His Fake Jerry of yesterday (repeated at 6:40 this morning) was delivered over a much cleaner line, and it suffered.

(3)  Agree with AP that some of the mics were very hot.  I noticed it especially with Danny, but Corby's was EQ'd pretty hot as well.  Danny's EQ was so different that it almost sounded like he was on a different show.  The sibilants were very hissy; it sounded like the whole Hardline had developed a lisp.  I'm sure this isn't the case, but it sounded like everyone was too close to the mic.

(4)  This might not be audible to a casual listener, but I was in the Conestoga with the Philco on high gain during The Hardline, so I could concentrate pretty well on the sound.  And I thought:  Man, Mike's new high-gain mic is not kind to his voice; for the first time, he really sounded old to me, with that edge of whisperiness to it that more elderly gentlemen tend to get.  And kind of a wateriness to the vowel sounds.

But then I heard Corby, and his voice had that slight water in it as well.  And I realized that what I was hearing is that kind of bad digital translation sound of the kind that you hear in much worse form on TeeBox remotes.  Just the slightest rattle in the voice, as though the system weren't sampling the voice signal cleanly.  (I'm making up these terms -- I'm sure sound engineers can tell me what's actually going on, and I think we have some Confessors with some expertise in this area.)  It isn't obvious and you kind of have to be listening closely, but it was there.  More obvious with Mike, whose voice sounded noticeably different in the new studio.

================

Anyway, as I say, not a big deal.  There are going to be some problems and our heroes are dealing with them in a mostly-amusing way.  (I did not hear Dan McDowell's performance yesterday, although (the incomparable) AP reports that he was in need of a remedy for cramps and bloating.)   On top of that, Gordon's hiccup extravaganza during Muse this morning was the icing on The Ticket's birthday cake.

See you at Guy's Night Out on Thursday.

Hey Ticket, How's About You and Me Going Out and Grabbing a Beer . . .

.  .  .  now that you're legal?

A happy 18th to The Little One.