Friday, March 29, 2013

A Nice Quiet Ticket Friday Night at Home with Mrs. Plainsman


It was a very interesting Ticket day, I thought. 

Mrs. P is recovering from some surgery (she’s fine, thanks for asking) and we’re watching some March Mildness (although this Kansas-Michigan game is concluding in an interesting way).  I’m in the old rocker and thought I’d give you  a number of items to chew on.
 

A SOURCE!

A commenter to the last post chided me for not having “sources” that would have instantly alerted me to Alexis’s departure.  I was going to respond that when one has no sources at all, my ignorance might be excused.

And later that day, I heard from someone.

I never know how to evaluate the stuff that (quite rarely and unexpectedly) comes my way.  I kinda consider the content, figure out it makes sense in the context of other stuff we know or think we know.  I decided this communicant probably had good information.  He (?) was someone who has been listening to The Ticket for a long time, and also exhibited some inside knowledge.  And in this case, his stuff was not incendiary, no apparent axes to grind. 

Paring it down s/he said:  The Campout was a Muser-only thing for several years before the whole station went.   The Musers decided to invite the whole station and make it a Ticket event.  It was never popular with some of the hosts, but they soldiered through.   After last year’s campout, only three of the nine on-air hosts were interested in doing it this year.  Thus, no more Campout, at least not this year and maybe never.

S/he also reported that the end of the Compound had nothing to do with Greggo’s departure.  S/he did not identify any specific reason the Compound was shelved, but did suggest that the talent sometimes feels that some items get stale and resist improvement.

Thanks to the Source – tried to think of a funny name for this correspondent, but nothing comes to mind.

I will say, however, that in general this tends to support my fairly unremarkable thought that there is some extremely interesting stuff that goes on behind the scenes.  Not all the hosts are on board with all of the stuff all the time.  This isn’t a shocking conclusion, but it’s the kind of stuff that the P1 would love to know about.  But, just as people beyond your employer don’t know the politics at your workplace, I don’t reckon we’ll ever get the story behind, for example, the demise of The Great Game.  There were some ill feelings after the last one, as I recall, centering on Mike Bacsik’s team-switching.  (Am I remembering correctly that that was the last one?)  You know, it’s probably just as well we don’t know.
 
 Trademarking Fun Ticket Phrases and Names

Confessors!  How unseemly!  You should receive your gratification entirely from the adoption of your descriptors by Confessors and others.  (I ran into a guy the other day who told me that he was the author of the “Yuck Monkey” designation on The Ticket.  I actually believed him.)


 How Mike is Sounding

Faithful Confessor ausgang left a comment to the last post reporting that he thought he detected sadness in Mike’s voice, that he seemed a little depressed.  Seemed to start 3-4- months ago.  (ausgang stated that he had no knowledge of any issues in Mike’s life.)

Well.   ausgang, I was startled by your comment because I noticed something in his voice at about the same time.  I thought about writing about it, but decided I may have been hearing things, and, truth to tell, I only hear it once in awhile.  (And not at all today, see below.)

But I had a different thought.  I didn’t feel that what I heard reflected any attitudinal issues.

What I thought was that for the first time, I thought I heard age creeping into those incredible pipes.    As I say, I don’t hear it often, but just once in awhile, I’ll hear a little crack, or a little breathiness, that I don’t recall hearing before.  The man is what, 62?  I mean, jeez, he comes by it honestly, and he’s not a young 62.   And he’s a regular vocal performer with his bands, singing out of his range (my opinion).  Not easy, and maybe what I’m hearing is just a little vocal weariness from a recent performance. 
 
 

But yeah, ausgang, I noticed something, too.


Mike and Mark

I only heard bits and pieces of The Hardline today, but what I heard sounded pretty good.  Mike was fully engaged, sounded great, and there was some sports talk on both their parts that indicated either preparation, or just plain sportsy knowledge.  I think most of us would like to hear more of this Mike with Corby and Danny, not just when sports is on the table, but in segments across the board. 

I wish I had heard more of their talk about the genesis of The Ticket, specifically Mark’s hiring by Mike.
 

Intra-Show Sniping

(1)  Corby won the E-Brake this morning for his show stop-down with a bad pun (that is, a pretty good pun).   George took the opportunity to take on The Hardline, who had been sniping at The Musers for not selecting enough of THL gaffes for the Friday contest.   George made some rather cutting comments about The Hardline, and concluded by recalling Corby’s suggestion that THL should do an internal blooper competition of its own.  George rather pointedly invited THL to do exactly that.   (I think that THL has won the last three E-Brakes.)

Of course, there is frequently some jabbing between the shows and it’s usually pretty-obviously good-natured.   George’s remarks did not have that flavor.  Anyone else thing George was just the tiniest bit hot under the collar?
 
 
(2)  I believe this one took place when Jake was doing E-News.  He made reference to a former Ticket guy, I believe it was Psycho Dave, who had stated somewhere along the line that he quit The Ticket because of Bob Sturm, although it could have BaD generally.  Mark said that he had left The Ticket way back when because of some friction with the cadre of BaD interns.  And there was talk directed generally against BaD interns (this may have been a reference to times past, hard to tell).   I forget who said that Bob was also amazed when learning that his management style did not get good reviews from his minions, but Mike jumped in at the end to support this piling on Bob.

(Attention UnTicket – that would be a nice clip to hear again.)

*     *     *

As I said – an interesting Ticket day.
And now, I'm going to sit back and watch Perry Mason on Channel 24. 

Twitter: @Plainsman1310

Email:  ThePlainsman1310@gmail.com

 

Thursday, March 28, 2013

MTC Wishes Alexis Smith All Success . . .

.  .  .  in her new role at KIRO Channel 7 (that's on the teevee) in Seattle.  Did not hear Dan read the memo on WTDS today, but got this from Alexis's recent tweets.  Hoping I have read them correctly.

  1. Adam Bomb @adambombshow4h
  2. Congrats to my former morning show cohost grabbin a huge gig @ KIRO TV in Seattle! You'll rock it out there. Pack an umbrella
  1. Thanks Bomber!!:) I might borrow a flannel or 2 from you before I go!

Best to you, Madam.   I will never forget your stunning promotional appearance at that grilling store in Frisco.

Tuesday, March 26, 2013

The Dark Side of the M -- Oh, Wait


Another quick-hit post while I'm underwater.

I thought Cirque did a nice job on Saturday with the interview with Dennis Hope, the guy who claims to own not only the moon, but close to an additional 100 celestrial bodies, mostly other solar system planets and their moons (although, oddly, not the sun).  He sells pieces of it at bargain prices (a double sawbuck will get you a nice plot on the moon).  You can laugh if you want, but the guy has made close to $10 million selling this worthless paper.  Honest to God.

You can find the epicenter of his activities at www.lunarembassy.com.

Dennis Hope wearing his
Lunar Embassy polo
 
 
Mike and Cash balanced respect and politeness with just an edge of incredulity, and it was an interesting interview that moved along nicely.  As it went on, Mr. Love opened up some, and, depending on your point of view, his (i) unhingedness, or (ii) sheer audacious fraudmastery, emerged in full flower.
 
I did think it was amusing that one or both of the Siroises were under the impression that the sun only shines on one side of the moon, with the other side in permanent darkness. 
 
Mr. Hope politely corrected them.

Saturday, March 23, 2013

Sat Give-Up


So sorry, Confessors, I've been buried and that condition will continue for awhile.  Just popping by to freshen the thread.

For the commenter who asked if I had commented on the Mike's-Mind ranking of the elements of the drum kit:  No, although I did hear it.  I was just delighted that something was on Mike's mind.  (Or  .  .  . was it a later segment?  Not sticking in RAM.)

The thought occurred to me that Mike was parodying Junior's Rankings of the Mundane, each of which is, of course, riskier and braver than the one before.  Since Mike also ranks things (members of old bands) that have fewer than a handful of things to rank, this suspicion is growing.

So hey, there you go, your starter topic:  Mike's Rankings, with a Cameo Appearance by Junior's Rankings, and is Mike teasing Junior?  Is this revenge for what Mike sees as Muser discrimination against Hardline e-brake material, even though Mike has won (questionable voter judgment) the last two weeks?

Fried Chicken Talk also welcome.

Big Changes Coming at The FAN Talk is always in season.

Sorry for the lack of content recently.

Please dayconfess responsibly.  I'll check back later tonight.


Thursday, March 14, 2013

Let's Tahk Gambling (2) -- and an MTC Challenge to The Musers

In the string to the last post, Anonymous 946 writes:

The chances George or Junior would be at a break-even level betting college/pro football punter is about .000001% Being a consistent winner is about 3 more zeros. Due to vig, it takes 55%+ to be a winning sports bettor. And that's reputable casinos, taking a chance with an online site or a shady bookie who vigs it up or throws bad square lines jumps that total to 58-60%, which nowadays is virtually impossible for even the Billy Walters and Bob Voulgaris-types (google to see what I'm talking about).

Appreciate the info, 946.  But you're not addressing my point (no one has), at least not directly. But maybe you are doing so indirectly.

If what you say about college/pro betting is correct (and what you say is consistent with Junior's statements in the segment in question), then the Musers' excellent record by the end of the year is entirely illusory and accounted solely by their high school picks.

Is that possible? Sure. Let's assume sixteen weeks of predictions. Let's further assume that in fact, high school games are easier to pick, as Junior suggests.  (And recall my thought that high school games might well be easier to pick since one is only picking winners, not points, and school dominance and won-loss records are probably very good indicators of success on a week-to-week basis, especially as the year goes on.)   And let's assume that in eight of those weeks, Junior is 3-2, and in eight he is 4-1. That's a net plus of 32 games, and would account for most if not all of their winning margin by the end of the year. 

Of course, Junior will not have a high school winning week every week, so let's assume that over 5 x 16 = 80 games, Junior is 50-30 -- contributing 20 games to his margin.   Now let's look at the college/pro games, a total of 160 games. I forget the margin of games over .500, but isn't it around 30 or so? Let's say that with the college and pros, Junior goes 85-75 -- wild guess. A ten-game contribution to a (let's say) 30-game winning margin. As noted, it is not a stretch to imagine the remaining 20 being made up with the high school picks, accounting for a nice 135-105 W-L record overall. 

What about our bets? Well, according to 946, to break even after paying your bookie you have to win 55% of the time. 85/160 = 53%. The Plainsman theory FAILS.   

What is this telling us? It is telling us that -- if our assumption about the RELATIVE ease of picking high school games is correct -- then despite the fact that they make up only one-third of the picks, high school games are disproportionately influential in the Musers' overall flashy W-L record AND their winning margin over the Unlucky P1.

Therefore, let the call go forth from MTC to those Gentlest of Musers -- ditch the high school predictions this fall and go solely with college and pro games.

Let's see what happens.

Tuesday, March 12, 2013

Let's Tahk G__________ -- and a Historic Post


Gambling. 

Last week The Gentle Ones were talking gambling.  I don't recall what the hook was, but Junior issued a statement that brought me up short.  He said that if he were in Las Vegas gambling, he was certain that he could not possibly do better than 50-50, and he was quite adamant about it.

Oh?

In the past, I have written that if I knew how to place legal bets, I would take some money and bet with Junior on all of the college and pro games that they pick in a little game they call "Picking Games Against Some Unlucky P1."  Both Junior and George are always well over .500 on the year every year that I've listened, and my recollection is that overall, Junior usually wins.  I may be wrong about that and could be corrected, but in any event both George and Craig always, in my recall, pick more winners than losers.

But there's a wild card in those statistics -- the high school games.  I suppose if I kept track of their picks and the game results every week, I could figure out how the picks on the high school games influence the winning percentage.

Then I thought:  Perhaps -- just perhaps -- I could go to the source. 

With trembling digits, I typed an email to juniormiller@mindspring.com  -- that's right, mindspring, Craig being possibly the only human still residing at that benighted domain, asking him this very question.

Gent that he is, I had a response shortly -- in fact, at 9:29, in mid-Musing.  And, I believe for the first time in the history of this site, I am able to bring you what I believe to be the first ever communication of a Host directly to the Confessors, the inquiry being -- how do the high school games affect the contest results?  His reply:

"To be honest, I have no definite idea.  I would guess that it's close to a push.  I recall one year where I got every single one of the stupid random high school picks (Fart High vs Diarrhea Central) wrong.  Our overall record might be helped just a tad by the high school games--it seems the games get progressively harder to pick from HS to college to NFL, but again I don't have the stats to back that up.

"I don't mind if you use this explosive quote."


Thank you, Junior, and traveling mercies to you and the Missus.

My initial thought was that they would do a little better on the college and pro games because of their superior knowledge of the teams.  Then I realized that since the high school games were just win-lose picks, no points, it might be easier to pick winners based on a school's historical dominance or suckitude, or won-loss records as the season progressed. 

So we haven't ridded ourselves of that wild card.  But at a  minimum, I'm going to conclude that even if the high school picks are factored out, the college/pro picks would still be over .500, and comfortably so.

Because I am the Pope of Confessors, I will confess that I do not know how to gamble.  I mean, I really have no idea whether it is possible sitting in DFW to place a legal sports bet.  Can one do it at the casinos around here?  I couldn't drive to a casino every Friday anyway.  I'm assuming it cannot be done legally long-distance.  If I knew how, I would take a large or two and perform this precise experiment.

If anyone can instruct me -- again, only interested in legal solutions -- do tell.  And don't tell me to give you the grand and you'll legally bet it for me.

In the meantime, seems to me that Junior is far too modest regarding his sports-prediction prowess.

After all, they are the professional sports predictors.

 
Twitter:  @Plainsman1310

PS:  Sorry for this incredibly crappy-looking post.  Google Blogger has primitive word-processing tools, and this mess is unfixable.





Friday, March 8, 2013

OPEN THREAD: Friday Give-Up


Confessors, I'm on the run.  Wouldn't be posting this except with the increase in readers the comment threads are getting long and unwieldy.  May just have to put up with that.  Anyway, here are some random quick hits.

(1)  Are my ears deceiving me?  The TC-and-Muser computer screwups of the past week will not be candidates on the E-Brake?  Cannot have anything to do with the length of TC's misery -- this is a station policy at work here that wants to lower the volume on the continuing problems arising from the inexpert move to Victory.

(2)  The Hardline did a live spot on Wednesday similar to its taped Texas Land and Cattle piece where the boys parody the copywriter's tendency to introduce each piece of dialogue with the speaker using the name of the listener.  In live spot, which may also have been for TL&C, they took this to an extreme and by the end of the spot they were screaming at each other.  Very funny.

(3) I've heard Mike and Ty read some copy about something or other that talks about "30 megabits per second."  Are megabits any longer a meaningful measure of digital performance?

All right, that's it.  Get us started, someone.

Monday, March 4, 2013

OPEN THREAD: Them Changes


Man, I had another article started, but I don't want to hex the mojo, know what I mean?

I don't have any new thoughts to share about Ben & Skin's contract situation.  I don't have any  new thoughts to share about the predicted demise of RaGE.  No new musings on the peripatetic Greggo.  Other than thinking that the half-hour I spent listening to the G-Bag Nation a few weeks ago was my most painful aural experience since they stopped using chalk on chalkboards, I don't have much to say about The Fan's overall presentation.  Since it is not possible for me to care less about ESPN, none of its changes, including Ben & Skin's departure, are quickening my pulse.  Nope, can't think of anything new to say about these things.

But I'll bet you can.

I'll get you started and I'm going to leave this thread up for a few days.  I think the rumblings are going to start getting closer to the surface.

I thought Ben & Skin were OK on The Ticket, and I know a lot of Confessors like them a lot.  I regret to say I don't think I heard more than ten minutes of their show on ESPN -- when I had discretionary radio time midday, I was building up my BaD listening hours.  My problem with them at the time was that while they were both really likable guys and the show was real sportsy, and they had a great intro, they spent way too much time commenting ironically on their own commentary, frequently getting stuck in a spiral of self-reference that brought the proceedings to a halt.  And the show suffered from what I came to call Ben & Skin Disease -- hosts that sound too much alike, a malady that I'm only now starting to get over on Cirque.  I am certain that a daily show probably required a more, shall we say, direct approach to broadcasting and if they pop up somewhere I'll be tuning in for a shakedown cruise.

Which I have selected as the hook for this open thread.

A commenter on the last thread gave a very nice multi-part analysis on why he thinks RaGE may be in the decline-and-fall mode, and there was a report that The Hardline had stated in terms that The Fan was looking for a new afternoon drive show.  And there has been some suggestion in these pages that that show might feature Messrs. Rogers and Wade.

Now, as I said a bit ago, my recent speculations have crashed and burned, so I'm not predicting that this hypothetical will take place.  But I will ask you to assume that Ben & Skin replace RaGE and compete against the last hour of BaD, WTDS, and all of The Hardline (if they time the shows at The Fan as they do now).

Do you think you might switch your allegiance from The Hardline (or 2-3 BaD) to Ben & Skin even after the initial curiosity wore off?  Of course, we don't know what a Ben & Skin show on The Fan would consist of, but assuming that you are somewhat favorably disposed to B&S, do you think they would give The Hardline a run for its money?

OK, what if they kept Sybil?


Go.

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Email:  ThePlainsman1310@gmail.com
Twitter: @Plainsman1310

Wednesday, February 27, 2013

More Questions for Knowledgeable Confessors


All right, we need to lighten up around here.   Let's have a spot of fun, eh?  Also, if we have some new Confessors from the incredible runup in visitors over the last week, a good way to get started with the site.

Quite awhile go I posted "Questions for Knowledgeable Confessors" and laid out some questions about station history and bits that I -- a listener only since 2004 -- was curious about.  We heard from our friends at The Ticket (Michael Gruber proved a fine historian) and got most if not all of them answered, and Confessors knew some answers.  Now, with many times the readers I had then, I'll bet we can get these answered, too.

I have a little list going, most of them mine, some of them from others.  I encourage you to ask your own questions in the comments about bits, phrases, inside gags, characters, performers, anything you've been wondering about.  Let's see if we can't all get up to speed with the many mysteries of the greatest radio station in the world.

Thanks in advance for helping out.  Here we go:

     (1)  What is the significance and humor value of "babyarm"?

     (2)  Who is Pete Stein, what did Mike and/or Greg do to him, and was it a dark moment in Hardline history?  Is that where the "3  .  .  .  2  .  .  .  aaaaannnd you're done" drop comes from?

     (3)  I think this drop was destroyed with the move to Victory, so maybe not worth answering.  There was a drop that was played when someone would make a cheesy joke, the drop was a rimshot with a guy hollering out something that sounded like "what about me".  Michael Gruber said that he was saying "from the northeast," an occasional reference in Gordon's characters, but after that explanation I listened to it closely and I can't pull those words out of it.   I say, this one's probably a dead letter.

     (4)   Here's one I had on the list but got an answer to just a few weeks ago: Where do Corby’s and Danny’s “doin’ the Greggo” clips come from in George D's Jaggeresque Community Quick Hits theme?  I believe the answer  is that some people thought that George was saying "everyone loves doin' the Greggo," and Corby and Danny recorded those clips to play over George's vocal.  

     (5)  What ad did George do that has his kids (I think they're his) cheering followed by George saying “Yeah, the kids like that"?

     (6)  I know what the “one ball” line is – wait, actually, I don't – but what does the name mean? 

     (7)  Who plays guitar on the Hardline theme song?

     (8)  What is the Teebox theme song with that marvelous gutbucket guitar?

     (9)  Where does that clip “Whiskey, all you want” come from, and has it been lost in the bungled move to Victory?

    (10)  For some reason, it sounds like Brent Spiner (in his guise as the inventor of Data) saying "it's time, buddy, it's time."  But I can't find any reference to it online, with or without Brent Spiner.  Where does it come from?

     (11)  Does The Ticket have any idea of the amount of its archives (drops, classic audio) lost or destroyed in the bungled move to Victory?  What exactly happened, anyway?  How could that possibly happen, giving the incredible ease in copying files and moving gigantic amounts of data these days?  

     (12)  What is that infectious country-swing pedal steel number they play under Ticket promos from time to time?  Just a canned snippet for radio stations, or part of a real song?  Love that.

    (13)  Does George Dunham (among other hosts) really not know how to pronounce Norm's last name, or is it a station bit?  I was going to write an indignant piece on this, but thought I'd better check on the possibility that it's a bit.  

Awright, everyone, get your questions ready -- and longtime P1s, JV, and Ticket stars, fill us in.  If you would prefer not to leave your answer in a comment  .  .  .


Email:  ThePlainsman1310@gmail.com
Twitter:  @Plainsman1310


Sunday, February 24, 2013

Speak to Us, Gypo Nolan


I said I was going to move on from Where's Greggo Talk, but did not anticipate the gigantic response to the last post.  Thank you, Google.

Thought I'd throw up a quickie just to freshen up the thread, which I think also set some kind of record for this site.

Gypo Nolan is an occasional Confessor who brings us some inside dish from time to time that has the ring of authority.  I'm thinking he's heard something about Greg Williams's situation and could fill it in if he feels able to do so.

I suppose we'll all be tuning in at 2 PM tomorrow.  A commenter to the last thread has promised us that Greg will be broadcasting.  And I believe everything that anonymous commenters say, especially when they sound like The Girlfriend.

In the meantime, what's the scuttlebutt on Ben and Skin?  Headed to The Fan?  Good move or bad?

See you tomorrow at 2.

Wednesday, February 20, 2013

A "Where's Greggo 2013" Inventory


We're not hearing much of substance other than from the frantically tweeting Girlfriend, so I'm going to give this one solid posting and if there aren't any developments I'm going to move on, main-topic-wise.  (Comment section always open for RaGE/Greggo/Fan talk.)

What to write about?  How about a listing of all current theories, some of which overlap, and many of which are not mutually exclusive.  (An annoying way of saying "it could be a combination of several of these things.")   And it may be none of these things.  These are not in order of likelihood, just the order they're coming to mind.  Let's get to it.

(1) He is sick, perhaps hospitalized.

(2)  He ran into trouble with Fan management over his absence relating to Chris Kyle's funeral.

(3)  He's angry about The Prank.  (RaGE Prank on Greggo)

(4)  It's a bit to draw attention to the station and RaGE.

(5)  Management is preparing to make some changes at the Fan or RaGE that he's unhappy about and he's pouting.

(6)  The Richie-Sybil relationship and perhaps a growing role for Armen has resulted in a diminished role for Greggo and he's feeling that the same thing is happening to him there as (he believes) happened on The Hardline (not his fault, of course).

(7)  The Richie-Sybil relationship and perhaps a growing role for Armen has resulted in a kind of ganging up on Greggo and as the most experienced radio hand on the show, he resents it.

(8)  The Richie-Sybil relationship has created an intolerable and almost indescribably icky and eeeeeww-inducing sexual tension that has eroded whatever professionalism RaGE was starting to develop.

(9)  He's fallen off the wagon.

(10)  The station is in major upheaval up and down the line and it's just all too much for the Hammer, who's getting out while the getting's good.

(11)  He's been suspended, possibly fired, for misbehavior that hasn't been publicized.

(12)  He's a petulant childish jerk who can't stand even the tiniest slight to his real or imagined importance to RaGE.

(13)  He's a major radio talent who is undeservedly taking abuse from the less-talented Richie and Sybil.

(14)  It's time, buddy; it's time.  Greggo's chief addiction is to self-featuring drama, and he can't go for more than a couple years without writing himself another one, so he's off the reservation for no reason that any of us would find rational.

In happier, but less focused, times.


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Twitter:  @Plainsman1310


Sunday, February 17, 2013

I Wander Ticketstock


Notes from my Friday afternoon visit.  I wandered the floor for an hour or so, visited a few vendors, listened to some of The Hardline.  Thoroughly enjoyed myself.  Reviews have been excellent, and The Ticket should be congratulated.  In fact, let me start with this:

Kudos.  First, how about a hand for the CTO?  Sure, the thing is sponsored, and a lot of it is pretty sponsor-promotional, but it's a lot of work, a big time commitment for the whole station, very entertaining for the P1.   A real nice kiss for listeners, and when we smack the CTO around for one or another sin, let's remember cool stuff like this.  I'll have a further thought on this in conclusion.

Parking.  I could have sworn I heard hosts saying parking was free.  Five bucks to get into the garage.

General.  The floor was less crowded with stuff this year.  Seemed to me like there were fewer sponsors, but that may have been because the did not have the basketball court this year so the joint just had a more wide-open feel.

Shoop.  I put some geld into Michael Gruber's pocket by purchasing a SHOOPY t-shirt portraying him laboring lovingly over what appears to be a Les Paul Custom.  I asked the vendor whether Michael got a royalty for the use of his image and was pleased to hear that he does.

Ticket Guys Generally.  Passed by Gordon, Norm, and Craig out on the floor.  Norm and Gordon had destinations they were hurrying (in Norm's case, slowly) toward, but Craig was taking a stroll and chatting with attendees.  I considered introducing myself, but decided against it.  Everything for the bit, right?  Well, being The Plainsman is my bit, lame thought it may be.

A Confessor on the last thread wrote:  "It was an incredible night, I left the rest of the guys alone [Confessor had chatted with Grubes, Donovan, and Sean Bass]  but to anyone that says they are too big for the P1’s, they are just wrong. All of them walked around, shook hands, took pictures and spent time with their fans, it was a pleasure to watch. I really walked away thinking “we can do what they can do, but they can’t do what we can do.” And looking at my twitter tweet P1 time line, there were a lot of folks who had just as much fun. "  Second that with enthusiasm and could not have put it better.

Un.     While I did not beat down any Ticket guys, I did see some guys wearing UnTicket t-shirts at a booth advertising a way of recording streamed radio, and I asked if they were with that incomparable site.  Turns out they all were, and I was honored to meet DP and two of his invaluable henchmen (sorry, gents, I have forgotten your UT monikers) in assembling Ticket audio.  Great guys.  ap, alas, is stuck in The Great White North.

It's a pleasure to call your attention to their new venture, THINKIT MEDIA.  The are marketing their proprietary system under the uSave.it brand for recording streamed radio. (DP reports that they have some P1s using their system to record their favorite station.)   They also offer other services to businesses such as blog development ("ThinkIt Social) and increasing their profile in the online world.  I may give him a call.  You can read more about it here:  ThinkIt Media  I'm linking it to it on my "Ticket-Friendly Sites" if you ever need to find them.

I neglected to ask DP if he minded if I used his real name (obviously, I was star-struck by the three of them), so I'll keep that valuable information to myself.  However, he and his colleagues were kind enough to let me take their picture at their booth (DP is on the right):


And to top it off, I was deeply honored that they scrounged one of those snazzy UnTicket t-shirts for me.

Ticket Chicks.  Seems to me there were fewer Ticket Chicks abroad, and I did not see a photo area where us mere mortal P1 schlubs could get their picture taken with these lovelies, although I have no doubt that any of them wandering about would have accommodated a request for a quick snap.

T.   As last year, the testosterone clinics were there in force and doing a brisk business.   Apparently I appear to be down a couple of quarts, as I was approached a couple of times by young ladies who worriedly pressed brochures into my infirm grip.

Michael.  The Ticket acknowledged MJ's half-century with a statue.  


However, I couldn't help noticing that he was going to have trouble with this particular dunk, as the anchor for his Airness appeared to have had him stepping in a nasty wad of gum:



I Discover the Theme of Ticketstock.   Last year, I was puzzled by the Mardi Gras theme since it had not been advertised.  This year, it was a collegiate theme, which I realized when I purchased one of the long-sleeved shirts and observed that it had a large "U" in the background.

But with my keen reportorial instincts (which failed me when I didn't get the UnTicket guys' screennames), I ferreted out the true theme.  It was:

"Slanty Boards with a Hole in the Top End Into Which Attendees Were Invited to Attempt to Drain Square Bean Bags Slightly Larger Than the Hole."

(1) The Dallas Stars had the most elaborate set up -- this picture only portrays only two of the four slanty boards:


(2)  Top Golf:



(3)  FIOS:


(4)  Ticket #1:



(5)  Ticket #2/Budweiser, charmingly presented by two fetching Ticket Chicks:




(6)   Hooters had a more inviting variation on the slanty board/hole trope:



And I thought I had snaps of a couple more, but they do not seem to have survived.

Closing Thoughts.  All the Ticket events, but especially Ticketstock, remind us of what an extraordinary phenomenon The Ticket is.  Of course we're unhealthily, sometimes absurdly, obsessed with who's hosting, who's got next, the JV, the shows themselves, what goes on behind the scenes.  As I looked around the place with men and women having a great time, the Ticket guys enjoying themselves, the same phrase kept playing:  This is a club.  A private club that anyone can join just by tuning in.  And think how astonishing it is that it has been maintained for 20 years, and what kind of effort must be going into trying to figure out how to keep it going another 20.  I don't envy them that task.

I hope we're helping.

A big thanks to The Ticket, the CTO, the sponsors, and, of course, Grubes.  Michael, don't spend all my royalty contribution in one place.

*     *     *

Twitter:  @Plainsman1310
Email:  ThePlainsman1310@gmail.com


Thursday, February 14, 2013

QUICK HITS: Heading to Ticketstock


A few topics as I load up the Conestoga and hang the "IRVING OR BUST" banner on it:

(1)  For your convenience, a couple of great links from Confessors on the last comment thread:

       An interview with Cumulus ultimate CTO Lew Dickey:   Lew Dickey Interview   I haven't listened to this yet but I'm going to and will have some further thoughts.

       Real nice article about some of our favorite JV (they're all our favorite!), with pics!:  JV Article

See below.

(2)  I don't have a problem with Scot and Matt lifting bits from The Ticket.  Show biz has always been about stealing bits.  So has business.  So has how we dress, the phrases we use, and everything else.  I am doubtful that the CTO has imposed a "do stuff like The Ticket" regime on our lads, but if they had it would hardly be an irrational strategy.  I do hope they find some creative variations -- "Community Tidbits" as a title is a little, um, weak.  (Maybe in Alabam you'd be better off with "Community Tide-Bits.")

As for Mike R's attitude:   The Confessor may be right that Mike is contemptuous of people who appropriate his mannerisms or lift bits from The 'Line or The Ticket.  I don't know.  And in general it is not a good thing to upset Mike.  But is it not very clear that he has very little influence at The Ticket these days?  He may be able to do what he wants, and thank Jah for that, but I doubt whether the CTO takes his disposition into account when making decisions on programming, personnel, scheduling -- anything.  I'm thinking Rich Phillips has more influence at The Ticket than Mike does.  You may think that is a good thing or a bad thing, but it's the thing.

(3)  Speaking of which:  On The Hardline yesterday reference was made to The Machine, Kevin Turner, and other JV, and Corby jubilated that this was the best possible time to be at The Ticket, or words to that effect (the context was one of general approval of these guys).  Mike replied that "things have never been worse around here" and "this is the worst it's ever been" (or WTTE), which I took as more of an overall Ticket comment and not necessarily directed at the JV (although he took a direct shot at KT).  What was interesting about this is that he repeated these phrases in one form or another at least a half-dozen times or so, but Corby and Danny seemed always to be talking over him.  He continued to repeat the phrase(s) as though he were hopeful of stimulating some reaction to his growling judgment that things were bad at The Little One.  But either because they weren't paying attention, or didn't want to get into it on the air, Corby and Danny did not respond in any way to Mike's repeated condemnation of the way things are "around here."  Anyone hear that and have an impression?

(4)  I really liked the article on the JV guys, but it depressed me a little since it contained more information on these fine chaps than you would get out of reading a year of this site.  I know, this is a commentary site and not a newsy site, different goals, reaction rather than reporting, but still made me feel pretty unnecessary.  So I'm going to go off and sulk for a bit.

See you at Ticketstock.

Saturday, February 9, 2013

Someone Out There Knows the Deal with Mitchell Karasik

For all of you who are tempted to slag me for writing a big fat post about a would-be Tickerman, spare me.  Spare us all.  It's Tickety.  It makes me wonder how things happen at The Little One.  I'm going to write about it.  You gripe about the selection of subject matter, I'm taking your ass down.

===============

First, Mitchell, if you're out there, permit me to apologize for spelling your name incorrectly for quite some time now.

Second, a Confessor reports hearing on a BaDD podcast that Mitchell is transported from New York to Dallas to do his Tickers a half-day on weekends.

Third, this site has had some fun with the challenges that Tickers have presented to Mitchell.  I didn't really feel good about that teasing, because I supposed that Mitchell was a radio tyro, some kid trying to make it, kid somehow got a tryout from The Ticket in the face of what I supposed were better audition clips with which, I also supposed, the Pan-American Catman had been deluged.  So while he was clearly struggling with  .  .  .  copy  .  .  .  which I supposed he had composed  .  .  . and seemed initially unaware that what he was delivering was a "Ticker," I was kinda rooting for improvement so the lad could get his start in a cool profession.  Alas, as the Indispensable Brad C has memorialized, things have not gotten much better as of a week ago:


He has been savaged by The Hardline; but then, who hasn't?  Bono, possibly, aside.  Confessors have been similarly skeptical of his abilities.

Fourth, however, I was quite, quite wrong about where Mitchell came from.

This is Mitchell Karasik delivering his 2010 MLB preview:

http://www.youtube.com/watch?v=Wfnkbm46hZA
Surprised?

Mitchell Karasik has not only been around for awhile, he has run what is apparently his own production of something called, variously, "LockerBlogger" and ":60".   Always dressed smartly in a coat and tie, he has scored some pretty big interviews.  Here's his Miles Austin interview at some kind of function from a couple of years ago when Miles was doing good:



Here is his interview with Orthodox Jewish Boxer Dmitri Salita, Part 1 (I have not been able to find Part 2):



Thus:   Fifth, the PAC was almost certainly not pulling a resume out of a stack when he invited Mitchell to do some DFW Tickers -- he was enlisting a somewhat experienced talker, a guy with some credible sportsy media experience, even if it was his own medium.  Unless, of course, the PAC had nothing to do with this and it was imposed upon him by some CTO.  Although I have not been able to find any Internet evidence of any affiliation between Mitchell and Cumulus or CBS (with the exception of the somewhat tenuous speculation which I shamelessly offer way, way down at the bottom here).  No, his affiliation appears to be solely with his own company LockerBlogger, described on his beta site (www.lockerblogger.com) as follows:  "LockerBlogger is a Sports Social Media Company that Connects Athletes, Charities, Fans and Brands through Education and Philanthropy."  (But where did he score that bank of screens and ritzy studio-looking background?)

At first I thought BaDD must have been pulling our leg about MK flying in to do these Tickers.  But when I heard Brad C's recording from only a week ago (above), I realized that it must be true.

Sixth, what Someone Out There knows, is:

Why?

Here's a little extra tidbit to interest you:  A Mitchell S. Karasik was married in Collin County in 2008.  His parents live in the NYC metro.  (Scroll down here to view record)   No idea if it's the same one, but the Internet nuggets are suggestive.   So maybe MK is looking for a way to spend more time in the metro for family reasons.

But let's return for a moment to his qualifications.  Hey, I  admire the guy for living the dream.   He's got this sports-philanthropy-social-media thing going, and whatever that is, it does get him face time with jocks.  (I didn't join the site, but I've seen other things leading me to believe that this "LockerBlogger" is affiliated with MK's videos   of the same name.)   How did he do that?  ALERT:  CRASS SPECULATION FOLLOWS:    I'm wondering if Mitchell might have some independent wealth in his background.   The father of the Mitchell Karasik married in Collin County in 2008 -- which, I stress, I cannot definitively link up with OUR Mitchell Karasik, but there don't seem to be a lot of them in the U.S. -- is Stephen Karasik.   Stephen is an independent investment banker the New York City area.  Perhaps he invested in our Mitchell.  WARNING:  SPECULATION GETS EVEN CRASSER BELOW.

In any event, he's got a long way to go to join the accomplished Tickerman fraternity -- all right, a long way measured in astronomical units, if not parsecs -- but he's not a complete schnook, you know?  Those interviews are at least enthusiastic, and the fact is  .  .  .  he gets them.  Maybe this kind of initiative appealed to the CTO somewhere along the line.  So let's be fair -- they're trying.  They're trying to get some guys with maybe some gee-whiz potential to affiliate with the station.

But I suspect Mitchell's path to Saturday mornings on KTCK is a lot more interesting than that.  Someone's either going to pretend to know in the Confessions to this post and we'll all have to wonder if we're getting pranked, or someone is going to lay a tip on me that I will be duty bound to keep confidential.  (It happens, rarely.)   How did he come to do Tickers for a station he doesn't know, reporting on teams he's not familiar with, where he is required to speak the names of athletes he doesn't know how to pronounce?  More intriguingly, why is he still doing it?

Well, my curious Confessors, here's another little tidbit for you:  There is a Steve Karasik who is a multi-Emmy-winning Senior Coordinating Producer for  -- dramatic pause -- CBS Sports.  Looks like he is about Mitchell's age.  His father is not Stephen Karasik, according to wedding announcements -- it's Robert Karasik from  .  .  .  Manhattan.  I'm way, way off the reservation here, but I wonder if perhaps Robert and Stephen are brothers, and Mitchell and CBS Steve are cousins.

While this is, I must Confess, not Responsible Ticket Journalism, the possible connection of Mitchell to CBS Steve, and Mitchell's possible family connection to the DFW area, may go some way to explain why the guy is getting airtime on the greatness of The Ticket.  Maybe that's also how he scores those snazzy production values for those studio interviews.

CBS -- again.

Inquiring Confessors want to know.

But you know something?  Whether I'm on track with any of the foregoing, or galaxies off -- I wish Mitchell Karasik well, I really do.  Even as a Tickerman -- maybe he'll study up and we'll get used to the somewhat exotic cadences he brings to his readings.  After all, one of the qualities The Ticket brings to sports-talk radio is its willingness to showcase unconventional broadcast voices.  So let's give the guy a chance.  (To help expiate my guilt over teasing him at the outset, and in admiration of the initiative he's shown in his non-Ticker ventures.)

Let the Mitchell Karasik Watch continue.

Twitter:  @Plainsman1310
Email:  ThePlainsman1310@gmail.com